when hitte hitler came to powert movie studios demanded that though fire half of their salesmen in germany and by 1936 they failed all of their jewish salesmen in determin germany. the nazis said they couldn't make a film showing the war or the persecution of jews. for the american business to go along with each of the demands is collaboration in a sense. the notion that hollywood was implicit is challenged 'by a reminder in the 1930s in the germany and in the you had was a very different time. >> words like collaboration and comcomecom complicity. ar are over blown. >> ththe images of the. >> announcer: nazis are so vivid. they are the universal universe emblem. so for the hollywood studio to be importing a film into germ germany in the 1930s wouldn't be considered a horror. >> the film screened in new york. >> we'll be right back. >> audiences are intelligent and they know that their . >> it's the latest high octane company to go public. twister is going to make the people that helped it become a sensation very, very wealthy. there are many challenges that come with this life changing ev