oliver stone is adamant in his points and stating them.heir frustration is not that barack obama is sort of a moderate. their frustration is that barack obama is engaging in his revolutionary activity a little too slowly for their time line. they want to see him move farther and faster than he already has with the fundamental transformation of the nation. >> he is not buying into the theory that the far left holds that we, america, we're the problem and we. >> what are you talking about, bill? that is the basis for everything that obama done. look, the extremists left. >> monica. >> on which barack obama is a part. >> it is not. >> here is where you go off the rails. >> individual liberty over the collective. they will don't believe capitalism over socialism. they don't believe in america super power status over having the united states just be another country. if you can't deal with that and if you can't about barack obama, then i can't help you. stop, all right? you are both wrong. >> you know what i said, you just said about the fundame

aside for a moment aybe for all time if we could, oliver stone's "j.f.k." i can't any institution in american life that is not conspiracy.n his take a look at something i find something more interesting and old robert redford/barbara try stand "the were." on one level it aa love story about two people who can't resolve issues but the bark drop of that is the conviction that the 1950s represented a period which innocent americans suffered repression at the hands hysterical witch who for communists agent all right thinking people knew did not exist. let's not deal while we're going into the depths with the crucible. so didactic and so boring that i thought if i island o a tkesz either disk and my only choice was the scarlett letter discover hawthorne as masser of pros style. >> how did we get here? we had the culture shift and the counter n of intelligence was part of that. never trust anyone over 30 was a towed of my generation along with sex, drugs and rock n' roll. the and tide of that culture swept over us and it's a still degree.o some the good news is t

let's leave aside for the moment if we could oliver stone's j.f.k. after about two and a half hours of that i can't figure out any institution in american life that is not imp kated in his conspiracy. take a look at something i find more interesting and that is the movie the way we were. on one level it's a love story about two people who can't resolve their issues. but the backdrop for that is the conviction that the 1950's represented a period in which innocent americans suffered repression at the hands of agents of a hysterical witch hunt for communist agents who did not exist. let's not even deal while we're going into the depths with the cruss balance. a play that is so die dact i can and so boring that i've often thought if i had to do a desert island discs and my only choice was the crewsable or the scarlet letter i would discover hawthorne as a master of prose spile. how did we get here? first of all, we did have the culture shift and the perception of intelligence and counter intelligence was just a part of that. never trust anyone over 30 i

this sounds like a really intense political thriller, you know, one directed by oliver stone and starringmovie were about america. but since it's venezuela, they're absent. perhaps they're still nursing hangovers from hugo's funeral. all evil stuff, at least in movies. any actor would love to play the heroic resister, but in real life, never mind. after all, both penn and stone eulogized chavez and defended his corrupt government. no surprise their politics are as disposable as their girlfriends. a cause is a drink you toss aside as you get bored, as you gal avant to the next premier. what about the poor who are ignored in the name of the greater good. penn looked away because if he looked socialism in the face, he would see his next role. which leads to venezuela's shortages. no food, no supplies, no toilet paper. maybe that's why stone and penn split. when you're that full of crap, you go where the sharmen is. so kg -- >> i knew it, any time it's something dirty, you come to me. >> i wasn't going to talk to you about that. about the toilet paper, how could a country not have toilet pape

. >> i wouldn't bring this up if you hadn't mentioned jfk, but i know oliver stone's perspective -- [inaudible] and, of course, this many years later there is a suspect call public the first one gets from washington especially on issues such as the -- [inaudible] liaison between cia and house select committee who wasn't disclosed in the early '60s. he managed a student group that actually interacted with oswald in new orleans. and to this day there are apparently 1100 files that cia still retains in full, and yet the public is told that oswald and ruby acted alone, and there's just a disconnect. if they acted alone, why would there be 1100 files? >> let me say i could go beyond jfk, i think he's a horrible director. but i do think if there are 1100 files from that period still sitting classified, and we all know we classify too much and keep it too long, this goes back to my concern about when you have a public dispute of this sort and you're sitting on records that could help resolve that dispute, i think you do great harm to the public record. and i don't know that they're doing tha

let's leave aside for the moment if we could oliver stone's j.f.k. after about two and a half hours of that i can't figure out any institution in american life that is not implicated in his conspiracy. take a look at something i find more interesting and that is the movie the way we were. on one level it's a love story about two people who can't resolve their issues. but the backdrop for that is the conviction that the 1950's represented a period in which innocent americans suffered repression at the hands of agents of a hysterical witch hunt for communist agents who did not exist. let's not even deal while we're going into the depths with the crucible. a play that is so didactic and so boring that i've often thought if i had to do a desert island discs and my only choice was the crucible or the scarlet letter i would discover hawthorne as a master of prose spile. how did we get here? first of all, we did have the culture shift and the perception of intelligence and counter intelligence was just a part of that. never trust anyone over 30 it was motto

stone-ground mustard. take a little bit of balsamic vinegar. all right. and then i have a little california extra virgin olive oil.ad's gonna be somewhat deconstructed. but you can see how it makes a nice vinaigrette--very classic with the balsamic vinegar. in this case, i'm just using our spring greens. toss a little bit on this with our greens. then we'll go ahead and plate. then we're gonna take our roasted chanterelles. and again, you can see, now obviously, they've roasted, they've concentrated the flavor somewhat--herbs, the olive oil, the garlic--just a really nice flavor. a little bit of salt and pepper. we're gonna go ahead and just take a nice, healthy amount, put 'em on the plate. and we're gonna do this salad in somewhat of a deconstructed fashion. so, it has a little bit of a--the guests can mix it or make it themselves. then we'll take a little bit of our goat cheese. and there's so many goat cheeses out there and certainly within varying degrees of intensity and flavor. and i've just taken the liberty of reducing a little bit of the balsamic vinegar. and if you want, you can just kind of do a little