he says, if the literary man were to say wiggle the legal the wiiggility, wiggility, wiggilty -- wiiggility, wiggility wiggilty and tell you that combination of letters gives you the impression of dawn, how will you say that it doesn't? that is a pretty good question. so cubism, and modernism in general, right represents for him a tendency to abandon all respect for tradition and to insist that art shall be nothing but an expression of the individual. so, again cox has raised a very important point regarding modernism and cubism. if all that matters to the painter, to the artist is what he or she feels inside, what happens if that view, that conviction moves beyond the realm of art? what then? it's a fair question. the thing, he concludes, is pathological insidious and worst of all for cox, it is popular. these men have seized on the -- seized upon the modern engine of publicity and are making insanity pay. they ran an opinion column the same day as the interview and here you see a depiction that sets him up differently from the image we have of the cubist artists. he is described as someon