i wanted a very, sort of, off-center, nonsymmetrical kind of abstraction. i didn't want to destroy the bull in doing it-- that besides whatever else i was doing it had to look like a bull. i knew i wanted to do it as a print and i talked with ken. i may start with a collage then he'll do a lithograph from the collage and then i'll work on top of that thing and change it some more. but the suggestions about how it can be printed are made by ken and many times it results in something it wouldn't have ordinarily. i'm just looking for efficient ways where the image will have the clarity that i want in it-- the quality of finish, of color, of matte, feeling. i seem to have finally wound up with a fairly limited set of ways of printing, but it's all been through experimentation. ( spanish guitar ) ( jazzy saxophone music ) these are drawings for prints. this little fellow here [is] called "the scream"; ( baby screams ) through the reflection you can see wonder woman; a pilot with a view of outside the cockpit. natural brushstrokes and cartoon brushstrokes-- these