all of us four god-fearers here exceptin' you. we don't agree that the child should be brought up with no religion. well, why don't we just take a little vote on that? i say that a parent has the right to raise his child any way he pleases. and if we wanna raise our child to believe whatever he wants to believe, that's our business. who's with me on that? let me see some hands. do i see a hand goin' up there? i can't believe what i'm seein'. okay. do whatever youse want. you wanna raise him an atheist, go ahead. raise him a luferan if you want. raise him a norman with seven wives. a holy roller, a seventh-day adventurer. anything you want. i don't give a damn 'cause i'm gettin' the hell out of here. daddy! and i'm goin' out that way. i wouldn't be seen leavin' the front door of this den of inquisitry. oh, archie. no, no, edith, it's too late. too late. oh, archie, archie. i don't care. no, edith. archie, please don't leave. 'cause he's gonna grow up with a lot of love. oh, and no religion, huh? we don't know that. mike just said t

exceptin' when i let him. so come on, let's build a fire. build a big 'un, big enough to light up a mountain, big enough to warm all them c cyenne who'll be watching us all night long from behind them rocks. why do you hate him so? can't think of a white man who don't. yours is a different kind of hate-- almost as if you were jealous. jealous? i had more and better chances than him to turn indian, but i stayed with my own people. are you telling me that... wanting to live where no white man ever lived before. he knowed. how to hunt, how to keep his scalp-- he come out here white-faced and weak as a baby chick. oh, he was a quiet 'un. what little he spoke was against all man. and a hundred times, at night, in his sleep, until i knowed the words myself he'd moan... "cain said to the lord, "'my punishment is more than i can bear. "'i must go straying and stumbling all over the world, and everyone that catches me will kill me.'" ( rustling ) shh. tell medicine mark i bring him his blood brother who's been s srching for him these past 20 years! v

exceptin' sliding down hay lofts! eat it while it's hot, ben. i'm not hungry. they're southernrns, aren't they? what about t tt boy, ben? word gets around fast, doesn't it? one day you gotta stop it, ben, you can't keep going like this forever. i can't? i look at them cong out here, all wide-eyed and innocent,ke, like they never did anything wrong. what do they expect me to do, welcome them with open arms? oh, ben. but he would have grown up clean and free. did you see the white boy? you're coloring it, ben. you're making it sound like it's something evil. it is evil. everything those ramseys and for is evil. well, i can't do anything about the white boy, but i can save the oth ben... do you really want to help the boy? if you had this arm... if you had the pain with you every minute, every second, if you knew how it feels... there are all kinds of pain, ben. nora. what did you do to hme? mind your own business. i've seen you shoot horses to put 'em oeir misery-- why don't you shoot her? what? remember when you first got married. she was looking forward to so m

nobody can ruin a man's self-respect exceptin' a man himself. wait a minute. i'm not done with you. - let go of me! - take your hands off my wife! told you to get back into the office. pretty late for you start actin' like a man. please, mr. mccanles. leave him alone. (cheyenne) 'i'd listen to, mrs. barnes if i were you, mccanles.' [dramatic music] if any of your men make a move for their gun they won't be helping you to stay alive. you're gonna find out you're making a big mistake, boy. e in the hotel? no. then you better take her home. come on, jeremy. [music continues] [gunshot] [gunshots] (mccanles) 'let him go, boys.' he can't go no place. lt cover the outside. we might have an awful long wait. well, he can't stay up there forever. what happened? better take a look outta the windows, smitty. we're liable to be here for quite a spell. stay back, tommy. why do have to sit here sweatin' out? let's go up and get 'em. ain't nobody stoppin' you, floyd. you wanna get a hole in you like that black lady you just go right up ahead and get him. can't ya think of som

leads to shootings, or worsese you can drink it anywhere you want, exceptin' right here. armstrong, you ain't very hospitable. here's a man comes in out of that zero air, and you won't even let him build a fire. put that bottle in your saddlebag, babe, and let me buy you a drink. who are you? call me stumpy jack. well, they call me kelso. let's walk over to the hotel. then we can crack open a bottle and talk. i need a new conversation. well, thank you, stranger, and i believe i'll join ya. i'm sick to death of the same old voices myself. you get a kick outta watchin' people, don't ya, dutchman? i guess i do, armstrong. i've found that a lot of times, you can learn a lot more by y tchin'... than by doin'. kelso? kelso! ? aw, come on now, honey. sit down here and let's be sociable. i ain't such a bad guy once you get to know me. of yours. heh. you're just bein' wasted. now, me, i'm near your own age. and young blood isisots of fun. come on over here and let's quit all this horsin' around. -oh, leave me alone! -you spitfire, you! stop it, stop! stop! i hope you try. what are