. >> e longer wwait, thmore expenve it isecause t more seve the nsequenc, on a scalehat we m not evewant to see. 02/12/18 02/12/18 [captioning made possible by democracy now!] amy: from pacifica, this is decracy no >> wt havee done? mement grow d blsom and plode. change the strts. am a feder judge sys the portatioof immignt right lead ravi gbir aft ravi

. >> e longer wwait, e more expenve it isecause t more seve the nsequenc, on a scalehat we m not evewant to see. severine: there's so many of you. [laughter] um, my name is severine. he gave me a few more directorships than i deserve, but we'll let the ship sail for now. um, push. i'm severine. i'm coming to you from northern new york, from the adirondacks, on lake champlain. audience: whoo, whoo! severine: that's my land, um, that i love. and i think in this room are some people who love land. [cheers and applause]

. >> e longere wait, e more expenve it isecauausehe more seve the consequenc, on a scalehat we m not evewant to see. (whistling) (music) - this used to be the most dangerous city in the world. it started to change when artists started transforming places, telling people what's going on. - the role of the artist in medellin is to impose a conversation in painting, in music, in independent filmmaking. (neon buzzing) (spanish)

. >> e longere wait, e more expenve it becausehe more seve the nsequenc, on a scalehat we mayot evewant to see.