thousand nine hundred fourteen she recorded it for her first solo album it's warm sounds by composer jamar bork's the room seems so fitting for this landscape this piece deserves to be hurt and for me it was extremely interesting to play a piece that didn't have that many. reference points before and most of those which as you mentioned they have been played and recorded thousands of times. more books the room compose music in the style of the late romantic era with a nordic touch and tenzing place this lyrical work with a cool elegance. and it's a very. strong presentation of the musical heritage i come from which is i would say the mix of very near home in the norwegian mountains. tenzing started playing violin at the age of two she made her debut with the berrigan philharmonic at age eleven actually traveling to the concert on skis she later studied in vienna having decided to take her time to mature as a musician. my biggest wish and dream is to do this sort of rest of my life and i didn't want to be burned also after two years or not have enough to say. critics say the sound of l.b.o. occam