mr. travis, thank you for recognizing the fact that this commission is supportive of the sailing center and that is what we are trying to do here is provide the cove so that all users can be there. there are multiple users and stakeholders and that is my job. we like what you are doing there and we also know that the olympics yours is going to be the training center and we are very highly excited about that and so i will be glad to be consistent with my vote ant on the marina and approve this resolution. >> it's been moved can i have a second. >> second. >> president tsen: all in favor say aye any noes the ayes have it. next item. >> clerk: item 13. >> president tsen: any objections. next item. >> clerk: that is adjourn. >> president tsen: any questions? thanks for coming. ?oo hi, i'm holly lee. i love cooking and you are watching quick bites. san francisco is a foodie town. we san franciscoans love our food and desserts are no exceptions. there are places that specialize in any and every dessert your heart desires, from hand made ice cream to organic cakes, artisan chocolate and cupcakes g

mr. travis, thank you for recognizing the fact that this commission is supportive of the sailing center and that is what we are trying to do here is provide the cove so that all users can be there. there are multiple users and stakeholders and that is my job. we like what you are doing there and we also know that the olympics yours is going to be the training center and we are very highly excited about that, and so i will be glad to be consistent with my vote an on the marina and approve this resolution. >> it's been moved can i have a second. >> second. >> president tsen: all in favor say aye, any noes, the ayes have it. next item. >> clerk: item 13. >> president tsen: any objections. next item. >> clerk: that is adjourn. >> president tsen: any questions? thanks for coming. >> i love teaching. it is such an exhilarating experience when people began to feel their own creativity. >> this really is a place where all people can come and take a class and fill part of the community. this is very enriching as an artist. a lot of folks take these classes and take their digital imagery and turn it

mr. travis took umbrage were coming right from their own document, their own numbers. >> public data. >> northeast do well. we all know that we're used to it because we're used to having coffee at dunkin' donuts the rest of the country isn't. that's where they have expanded into those franchisees are struggling many cases are not earning their cost of capital. >> can't you argue it takes a while to build the brand to a point where they will generate -- >> dunkin' donuts has been around how long? >> at the store level. >> it's not a brand in a lot of places outside the northeast. >> right. >> so while they're advertising, for example, california you can't find dunkin' donuts really. >> that's where they're expanding into. >> i know, i know. >> so when they open one, shouldn't the franchise level numbers be challenging >> i'm sorry to interrupt, do you own the stock? >> yeah. this is the only thing i've disagreed with jim about ever. i'm not married to it. if all of a sudden their numbers turn poor, it's not hard for me to just be like, okay, this was nice i own the stock in the 20s or the

travis that we were in to. >> seth: sure. >> it was called "side," a great song. >> seth: mm-hmm. >> and "under the gun" and "mr.t you had "mr. brightside" for your first show. >> yeah. >> seth: that seems like really a very good song for your very first show. [ laughter ] >> i had never -- i had never heard it with a beat at that point.->> and so i still rememb living room and i was on bass and dave was on guitar and i remember the hairs on my arm standing up. it was the first time i'd heard it, you know, with a beat. and it was an incredible moment for me. and i didn't know it was going to grow into what it's become since, but i knew that it was good. >> seth: was it -- you say you never heard it with a beat before. did you -- do you also get nervous when you meet a drummer and he hasn't heard the song yet either when you're like, "hey, i need you to play the drums for this." is that within, like, other musicians do you feel the nerves of them something? >> you know, it's exciting. you never know what you're going to get or if you're going to see eye to eye with everybody. but we've been lucky and we've had a