rather than not from a local travels thirty kilometers a day from her home in wasilla township to her amby a youth employment platform in inner city johannesburg since its inception in two thousand and nine the organization has offered workplace skills and basic training to over four hundred fifty thousand unemployed south african youth. placing fifty five thousand into their first jobs. your computer skills how to write a proper in media your for money and then how to present yourself how to talk the body language when you in a way place the skills they teach as the program's aim to get any in south african ready for the job market and they link them with prospective employers within south africa's private sector. i contact breaks and body language so find somebody in the room actually was turned south africa's unemployment rate is higher than that of the u.s. during the great depression of the one nine hundred thirty s. he believes addressing this begins with helping south africa's young people we have to connect people who are excluded out of the formal economy into work you have six mi

art collection, one by amby dunn, is this one called "the century." this is a compelling image. you see a lone soldier but you see the fatigue and stress and loneliness of war on his face. and it really gives a very powerful expression. there was a famous artwork from the second world war called the thousand yard stare which often was reproduced and you saw the drawn look on the soldier's face. but i think dunn's painting here captures that in even a re powerful way in the century. the first world war was again characterized by the massive industrial scale of the war and the amazing amount of shelling and bombardment that was characteristic of the first world war was often summed up in the term no man's land which was the reference to the area between the lines, between the enemy lines. and this part of the battlefield was just completely turned into almost an alien landscape by the massive shelling. we see an example here of a painting called over the top where you see soldiers emerging from the trenches, emerging from their lines and going over to -- over the top over into no