strong sports national theatre is the only one to enjoy special national theatre status outside of paris many small cities don't have any theatres at all centralisation is one of france's major problems and there was a huge gap between the center and the periphery. this imbalance is also reflected within europe itself. this is the subject of fork reached this play i am europe which studies last nor did a staged at the beginning of the year. let me tell you that. we. saw not only france is in crisis what is no days vision. of europe. a place where people come together because they have something to say to each other not just because they want to trade things i cannot make arguments are not enough it's not enough to say that france alone wouldn't be able to negotiate free trade agreements that's a bad argument i think people need to have something to dream about. in our continuing series 100 must reads featuring famous german language books that are translated into english today's novel is called the wool by the austrian. school for there's a cataclysmic event at the beginning of the novel

of the theatres drama school. fronts is very much behind the theater scene is desperately want this does not societal so with it best is also. not today is working to change the ensemble so that it reflects french society better with all its ethnic groups and all its social differences if positive discrimination is needed to recruit young people from less educated families so be it he thinks that otherwise everything will stay the same. strong sports national theatre is the only one to enjoy special national theatre status outside of paris many small cities don't have any theatres at all centralisation is one of france's major problems and there was a huge gap between the center and the periphery. of this imbalance is also reflected within europe itself. this is the subject of far crichton's play i am europe which started last no day staged at the beginning of the year. not. that. we. saw not only france is in crisis what is no days vish. of europe. it's a place where people come together because they have somethi

straw sports national theatre is the only one to enjoy special national theatre status outside of paris many small cities don't have any theatres at all centralisation is one of france's major problems and there was a huge gap between the center and the periphery but. also there are many regions in france which have limited access to the internet and to culture which you could say the same thing there's a lack of common sense a lack of good will. at the moment as a control to see because so much money has been to rebuild not. only there are magnificent monuments all over france which are crumbling and nobody can see so yes there is something in france which is very damaged. this imbalance is also reflected within europe itself. this is the subject of fall creates this play i am europe which started last nor did a staged at the beginning of the year. not be in. the year that. we are now. so not only france is in crisis what is no day's vision of europe. it's a place where people come together because they have something to say to each other not just because they want to trade things i ca

strong sports national theatre is the only one to enjoy special national theatre status outside of parismany small cities don't have any theatres at all centralisation is one of france's major problems and there was a huge gap between the center and the periphery like it is that. there are many regions in france which have limited access to the internet and to culture which you could say the same thing as a lack of common sense a lack of good will. at the moment as a control to see because so much money has been to rebuild not. only there are magnificent monuments all over france which are crumbling and nobody cares so yes there is something in france which is very damaged. this imbalance is also reflected within europe itself. this is the subject of this play i am europe which started last nor did a staged at the beginning of the year. and . let me tell you that. we. didn't. so not only france is in crisis what is no day's vision of europe. it's a place where people come together because they have something to say to each other not just because they want to trade things i cannot make ar

the large companies all owned theatres.nd at the height of the studio era, 94 percent of their investment went into this real estate. the big studios were really extensive theatre chains simply making movies to fill their own cinemas. it was a monopoly actively encouraged in the 30's by president roosevelt's national recovery act, designed to help america out of the great depression. (thomas schatz) he basically allows the studios to develop what economists call "mature oligopoly." to create a cartel of companies that are complicit with one another in utterly controling a market. the 5 majors broke the u.s. up into 5 geographical parts. loews, the parent company of mgm and rko, had new york city and parts of the east. paramount had the midwest and the south. fox had the far west. and so they would trade amongst each other. the studio might only be a few hundred acres in l.a., but if you own 1500 movie theatres, thatat's a h--- of a lot of real estate. paramount would have the best locations in chicago. the best locations in

movie theatres were closing in waves, 55 in new york alone.o make matters worse, hollywood was coming apart. anti-trust action dismantled the entire studio system. the monopoly of the movies was over. hollywood's reaction to tv was like one of its plot lines. at first denial, then feeling threatened, followed by fierce competition until embracing the adversary. yet it was television that produced a new generation of movie directors that told stories in new ways, with movies like "the manchurian candidate," "bonnie and clyde," and "mash." the studios didn't disappear; they adapted. and so did the movies. today, we are on the verge of another revolution, as a whole new range of digital technologies will change both the business and style of motion pictures. in this program, narrated by cliff robertson, we will see some surprises as tv collided with the movies in "film in the television age." ♪ just friends ♪ lovers no more ♪ just friends ♪ but not like before ♪ film... tv. one is reverential, the other is "i'm dominating." (charles champlin) the

and i didn't know what theatre was up until that point.ts. >> seth: yeah. [ laughter ] >> and i love the idea of theatre instantly. and it galvanized something in me that i didn't know i had. and at the same time, my younger brother who's a year younger than me was in a ball crying any time that person who is dressed up in cats came even close to him. >> seth: yeah. [ laughter ] >> and it's still to this day -- >> seth: yeah. >> it scarred him for life. >> seth: have you -- as a broadway professional now, have you tried to impress upon him how few of these shows are "cat" related? >> i mean, he can't see a cat on the street. if it's not singing, he's freaked out by it. >> seth: yeah, yeah. that's the cost of it. nobody talks about the hidden costs of it. >> that's exactly right. it's a very important place. >> seth: this is -- to do "beetlejuice," an incredibly -- obviously iconic film, with some of the most iconic actors -- >> yeah. >> seth: of this generation or any other. i'm a huge michael keaton fan. it was surreal for me to have him

also, shn is being un-fayelyfayy assessed even though the majority is an interior theatre. their active frontage is along market street. it's placing them at a significant disadvantage because they occupy the majority of a unique size and shaped block. shn already provides many of the services of the cbd and they have over 300 perform 300 perfoa year and one million customers to the theatre and they always pay to clean up, maintain security and provide safety at all of their events. they do not benefit from zone two services and should not be assessed. some key asks that they are thinking about, maybe, in amending it is to maybe move them back into zone one, to discount amendments for private theatres maintaining their own security, clean up and requiring the cbd to maintain the art included on the building, fronting the civic center plaza and that is the only benefit they will receive. thank you. >> thank you, miss desmond. next speaker, please. are you peter? >> no. ithy that might be peter. >> i came from the wrong side, thank you. >> peter ziblat, counsel fo. reiteratin

when you come into the theatre, it is notjust when you come into the theatre, it is not just about whent is also very much the people living there at the time and their theatre people coming over and their theatre people coming over and what their experiences were, and in terms of the clash of these two cultures. queenie, your landlady, has come to london herself so she is a stranger in a big city, from lincolnshire, and then she is providing you with the home and getting a certain amount of punishment from the community in doing that. exactly, and with this story, there are so many different characters and experiences that happen that hopefully everybody who watches it, whatever background you are from, you will see a glimpse of your grandmother or mother in your story, and that's what theatre is about. and what about the two characters you play? what is their journey, without any spoilers? for her tense, she grew up injamaica, and she is determined to become a teacher, she is trained, she has all the skills. england at the time was their motherland and where they wa nted their motherl

the first is that, we are a theatre company, not a sales organization or marketing organisation. to use things differently. my first thought was that, if you put my name into a search engine, you would find far more relevant and meaningful information than the pictures that are here. that is true but at the same time, you would also kind of know where that came from and it will lose a little bit of mystery when it comes to storyline of recollection, which is about memories that you have intentionally had removed from your past. take your memory sticks out. delete the information in the cells. memory stick out, log out. information in the cells. get rid of it all. the things i do not recognise in these images, the people or places, they are deliberately there as things i don't know and it gives you a bit of leeway as well? yeah, they might be deliberately there. also when we find imagery and stuff that's relevant to you, we don't really know how it is relevant to you and, in fact, if it is at all. alarm sounds. 0k, everybody out, now. we need to go. 0k. why did you want to put peo

so i grew pacific theatre, moving the pins. so igrew up pacific theatre, moving the pins.p with geography in my mind. half a dozen crises faced nationstates in the 19th and 20th centuries, and your book roves from the us to japan to finland, to delay in south america. i wonder whether you believe there are things you have learned in these political crises that are universal, that span all of the different geographies that you layout. there are general things that are universal. 0f course, there are big differences. the united states with oceans on two sides, and canada and mexico on the other side, is geographically protected. finland is not geographically protected, it has an 800 mile border with russia. so there are big differences between individual countries but there were general principles with politics, as there are with life, or a person together a personal crisis, whoever you are. you have to acknowledge a crisis and expect responsibility, and similarly with countries. that seems to be the idea that you have arrived at, that we can in some ways look at the history

it's one of the most beautiful garage theatres in the world and is a unesco world heritage site. and. it's recently been renovated and is back to its former glory. wagner want to more so he had his own opera house built every year from the end of july to the end of august wagner offense from all over the world come to the famous by a wide festival. loudness fest in the house pool festival theater in by white. every year celebrities and v.i.p.'s graced its red carpet. it's as much a part of the festival as richard wagner's music. does is probably mainly because of this there's his acoustic sound because it's a unique authentic venue. this theatre was built by and for richard wagner well over 100 years ago now and it's still standing in the same place and basically functions just as it did in the 19th century view. that must be a major part of its fascination and that's when i was most. the pyrite festival is a media event the british era parents prince charles queen sylvia of sweden and german chancellor angela merkel have all been hand. celebrities and journalists bachner would h

strasbourg national theatre is the only one to enjoy special national theatre. status outside of paris many small cities don't have any theaters at all centralisation is one of france's major problems and there is a huge gap between the center and the periphery. zone of there are many regions in france which happen limited access to the internet and to culture which you could say the same thing there's a lack of common sense a lack of good will. at the moment as a controversy because so much money has been to rebuild not. for there are magnificent monuments all over france which are crumbling and nobody cares so yes there is something in france which is very damaging. this imbalance is also reflected within europe itself. this is the subject of fark race display i am europe which studies last nor did a staged at the beginning of the year. let me tell you that. we. saw not only france is in crisis what is no days vision of europe. it's a place where people come together because they have something to say to each other not just because they want to trade things by

i think you and i, isn't it more important that people actually go to the theatre and fill it up.he turned up in a furry bikini.m is dark, they don't care. that's it for the papers tonight. don't forget you can see the front pages of the papers online on the bbc news website. it's all there for you, seven days a week on our website. and if you miss the programme any evening you can watch it later on bbc iplayer. thank you to my guests this evening nigel nelson, and jo phillips.

stu d e nts nice and very important theatres. futures but some are aware of the country ‘s problems. futures but some are aware of the country 's problems. we are now in a worse place than yesterday. but tomorrow, it will be even wise. here in the heart of the lines glamorous fashion quarters, you could easily forget that italy has some persisting economic problems. growth this week, the economy is still small than it was before the clever financial crisis and unemployment, especially among young people, is painfully high. it is notjust the unemployed who are affected by the weakness. many young people can't see a stable outlook for themselves, and are looking for opportunities abroad. 20 is agreed italy, it was good, good vibe. good tuition, no? but now there is no future for the young. if you like you are doing everything and everything you can do but you get there and you are like, and salary for years and years and you never get a promotion and you never get to advance in anyway, that's why all living. if you go abroad, you h

a couple of things going on, we are a theatre company not an sales marketing organisation.erently. my first thought was, if you put my name intoa first thought was, if you put my name into a such engine, you would find more meaningful information. that is true but you would know where that came from and it will lose a bit of mystery when it comes to storyline of recollection. memories which have been removed from your past. delete the information into the cells. the things i do not recognise, the people or places are deliberately there and it gives you a bit of leeway. they might be deliberately there, also when we find stuff releva nt to there, also when we find stuff relevant to you, we did not know how it is or if it is at all, in fact. everybody out. we need to go. why did you want to put people's data centre stage? as a company, the idea of taking the customised experience you get on line and giving them an off—line experience just as it tailored is something we were interested in. as far as recollection go, still nobody understand what it is and we try to understand w

originally from scrushy was hired by the mining in theatre in one thousand nine hundred nine becoming germany's youngest artistic director of an orchestra he worked for berlin's commercial bus starting in two thousand and two and in twenty thirteen became artistic director of the munich state opera. his new position at the berlin philharmonic will kick off with a performance of beethoven's ninth symphony on august twenty third they'll perform it again the next day at the brandenburg gate for free and outdoors. then z. and for me the ninth symphony contains everything that distinguishes us as humans in both the positive and negative sense in that he says he shares the expectations placed on him to launch a new illustrious era in the history of the philharmonic. and for you to. head if every concert i have the desire to somehow float on clouds with the orchestra. of the void consumes me. but that's enough talking for the maestro he prefers to let the music speak for itself. all his revered as a universal genius and best known for his paintings most notably the mona lisa but italian mast

i love these neighborhood theatres.t has not only a landmark in the richmond district, but also in san francisco. small theatres showing one or two films. a unique -- they are unique also to the neighborhood and san francisco. >> where we are today is the heart of the richmond district. with what is unique is that it is also small businesses. there is a different retail here it is mom and pop opening up businesses. and providing for the neighborhood. this is what we love about the streets. the cora door starts on clement street and goes all the way down to the end of clement where you will see small businesses even towards 32nd. at the core of it is right here between here and 20 -- tenth avenue. when we see this variety of stores offered here, it is very unique then of the -- any other part of san francisco. there is traditional irish music which you don't get hardly anywhere in san francisco. some places have this long legacy of serving ice cream and being a hangout for families to have a sunday afternoon ice cream. a

"network" is playing at belasco theatre till june 8th. with eric stonestreet [ cheers and applause ♪ fellas. ♪ hello, are you the lock smith? yes i am. come on in. i think we were able to salvage the lock. ( shouting ) ♪ muchas gracias. ya tú sabes. ( laughing ) the pink? lets go mets! go time daddy! ( giggles ) number six, number six. ohhhh man. took my hat off. ♪ that's crazy! lets go mets! lets go meeets! ♪ with peak season berries, uniqcreamy avocado. and a dressing fit for a goddess. come taste what a salad should be. and with panera catering, there's more to go around. panera. food as it should be. who used expedia to book the hotel which led to the discovery that sometimes a little down time can lift you right up. expedia. everything you need to go. and i wanted to ask you... before i ask her. may i have your permission to marry her? you're marrying her and her whole world. shop neal lane diamond engagement rings. at kay. puts care shop neal lane diamond engagement rings. into everything he does. we asked him to put our hydrating b

the jungle" is at the curran theatre through may 19. the pbs newshouro i'm jeffrey in san francisco. >> woodruff: you could say that john urschel has made it to the top of his profession-- except he had two professions, and they appeared to have nhing to do with the other. urschel played football for penn state and was drafted by the imore ravens. he then began a ph.d. program at m.i.t. in mathematics where he has published several peer reviewed articles. urschel retired from football in 2017, and tonight shares his humble opinion on how what h learned on field now helps him in the classroom. >> when i was a kid growing up in buffalo, i spent a lot of timie alone. t wasn't easy for me to make friends. i was kind of awkward, bigger than everyone, and on the playground i didn't know how to talk to the other kids. i was happiest by myself, doing ma puzzles or playing video games. then, when i got to middle school, soccer teams.se and i wanted to play football, but we couldn't find a helmethat fit i didn't do it because i was some great ath

i didn't know she had 32 years having that musical at city college in the theatre. i don't know if the board was for the ma ma mia show that you just finished. so to make it clear, i finish the play and that encouraged me to continue studying theatre. i tippe finished my theatre certificate -- >> your time is up. >> i'm going to call names in about a set of ten and one speaker who needs to go first but let me call a set of names, too, so people can line up. mr. wright, carmen roman-murray, fred moheim, teresa vilacomua, steven brayty, quarry burringer, jeff callus, elaine and tracey zue. >> i'm a student and disability student. >> i'm congresse depressed and d i thought i could go back to city college to learn something. i started taking english classes, computer application classes and music classes. i found that classes that really help me is the best medication from learning different classes little by little i obtain esteem and confidence. now i'm not afraid talking with people. i really appreciate this school that provide me a lot of support i like to travel to

. >> stephen: "network" is at the belasco theatre through june 8.cranston! and j.k. simmons. we'll be right back with keanu reeves. ♪ ♪ ♪you put your right arm in, you put your right arm out,♪ ♪you put your right arm in, and then you shake it all about♪ ♪you do the hokey pokey and you turn yourself around.♪ ♪that's what it's all about. ♪you put your whole self in, you put your whole self out,♪ ♪you put your whole self in, and you shake it all about.♪ ♪you do the hokey pokey and you turn yourself around.♪ ♪that's what it's all about. ♪that's what it's all about.♪ ♪that's what it's all about.♪ ♪ ♪ wherever you are... whatever you're craving... and whenever you're craving it... doordash has the restaurants you want. delivered to your door. wherever your door happens to be. download doordash. the most restaurants across america. first order, $0 delivery fee. hey, who are you? oh, hey jeff, i'm a car thief... what?! i'm here to steal your car because, well, that's my job. what? what?? what?! (laughing) what?? what?! what?! [crash] what?! haha, it happens

also coming up in the programme: we'll be at the crucible theatre in sheffield, where david gilbert hasead overfour—time champion john higgins in the semi—finals. and jofra archer gets his first international wicket as england have got themselves into a hole in their one day international against ireland in malahide. good evening — welcome to the programme. we begin in doha, where caster semenya may have just won her final professional 800 metres. she's hinted she may "walk away" from competition after the court of arbitration sided with athletics‘ governing body to keep strict limitations on testosterone levels in women. it could mean as of next week, the two—time olympic champion would have to take hormone supressing medication if she wants to race. adam wild has more. while the arguments and the acrimony continues to run on, so too for the time being does caster semenya. for how much longer? after the events of recent days, semenya's presence in doha is significant. what happens next, even more so. doha is significant. what happens next, even more so. on wednesday, the double dipping

music theatre about in the last few years it is more and more difficult to find space for the program that we run. >> i'm the nonprofit manager for the mayor's office of economic workforce development one of the reasons why the mayor has invested in nonprofit displacement is because of the challenge and because nonprofits often commute technical assistance to understand the negotiate for a commercial lease. >> snooechlz is rob the executive director and co-founder of at the crossroads we want to reach the disconnected young people not streets of san francisco for young adults are kicked out of the services our building was sold no 2015 they let us know they'll not renew our lease the last year's the city with the nonprofit displacement litigation program held over 75 nonprofits financial sanction and technical assistance. >> fortunate the city hesitate set aside funds for businesses facing increased rent we believable to get some relief in the form of a grant that helped us to cover the increase in rent our rent had been around $40,000 a year now $87,000 taylor's dollars a year we got

this movie theatre in kenya as dada the refugee camp. his life story may have ground to a halt. 27 years ago but there's no holding back his dreams. thank you for watching. cinema starts may 27th on the. welcome to global $3000.00 in russia mountains of trash are driving protesters on to the streets that concerned about the health and environment. the new.

and one of the pacific theatre, moving the pins. up with geography in my face. interesting. your latest book, upheaval, looks at half a dozen crises that faced nationstates in the 19th and 20th centuries, and it roves from the united states to japan to finland to chile in south america. i wonder whether you believe there are things you have learned looking at these particular political crises that are universal, that span all of the different geographies that you lay out. there are general things that are universal. of course, there are big differences. the united states with oceans on two sides, and canada and mexico on the other sides, is geographically protected. finland is not geographically protected, it has an 800—mile border with russia. so of course there are big differences between individual countries, but there are general principles with politics, just as there are with life. for a person to get through a personal crisis, whoever you are, you have to acknowledge the crisis and accept that you have responsibility, and sim

the mirror has got "the theatre of cruelty".e an appetite, one could say there is an element of voyeurism, there is an element of voyeurism, there is an element of voyeurism, there is an element of standing in the bullfight and watching the bull being cruelly treated and there is an element of this is something you would say, well, surely those who are watching this on commercial television, where they needed viewers to get their income, unlike the bbc, then, surely, if you were the boss of itv and you were being accused of conducting a theatre of cruelty... it is difficult. and when you watched it. i it is difficult. and when you watched it. lam it is difficult. and when you watched it. i am sure, you have refined taste, i would not have thought you were probably... i use the term loosely. i like to think you would have said this has got to stop. yeah, yeah, i would not have been happy with it. the show and the production company say they talk to them, they know what they are getting involved with. but we have all been within t

in 2013 the national theatre's openly gay artistic director or bad ferdi was sacked the government wanted hungary's cultural institutions to strengthen national identity or merely entertain the media has also become increasingly. singing onesided and those in the independent art scene find it hard to secure a rehearsal or performance spaces. is currently writing a new play which will be performed in this apartment. and as a gallery and cultural forum. a place for artists to exchange ideas and for counter culture just fine back in communist times. good. bye and it hit me here we perform our place in just a few square meters of space. sure. the audience sits around us is usually around 40 people. normally the host of the salon provides some snacks and drinks after the performance. and discussions with the audience provide a real sense of community. because the. sample troy do has found his niche yet more and more hungry and see no future for themselves in the country half a 1000000 have left during obama's time in office. he will shouldn't view europe as the messiah who will save them there