joining us now from london zack fuller a music analyst at middle research good to have you with us on kinds of the costs act does taylor swift have a point with artists receiving such a small percentage of the revenue generated by their music where is the rest of the money going. of course but this is a conflict that is old as music recorded music history and we've seen this going back from the days of the beatles there's always been this conflict over is the artist being renumerated in the way that they should through the record label now when artists often sign these deals they are not in the leverage position that they are once they become a global superstar so really what we've witnessed with the taylor swift story is that conflict that because when an artist who has achieved global success then comes to renegotiate with a label that actually prior to that fame had their label had their rights signed off so even in this age of new technology and streaming the way in which we get all music is it still the case the big music is king the big music is king it's interesting you bring t

joining us now from london zack fuller a music analyst at middle research good to have you with us on kinds of the costs act does taylor swift have a point with artists receiving such a small percentage of the revenue generated by their music where is the rest of the money going. of course but this is a conflict that is old as music recorded music history and we've seen this going back from the days of the beatles there's always been this conflict over is the artist being renumerated in the way that they should through the record label now when artists often sign these deals they are not in the leverage position that they are once they become a global superstar so really what we've witnessed with the taylor swift story is that conflict that because when an artist who has achieved global success then comes to renegotiate with a label that actually prior to that fame had their label had their rights signed off so even in this age of new technology and streaming the way in which we get all music is it still the case the big music is king the big music is king it's interesting you bring t

joining us now from london zack fuller a music analyst at miti at research good to have you with us on kinds of the costs act does taylor swift have a point with artists receiving such a small percentage of the revenue generated by their music where is the rest of the money going. of course this is a conflict that is old as music recorded music history and we've seen this going back from the days of the beatles there's always been this conflict over is the artist being renumerated in the way that they should through the record label now when artists often sign these deals they are not in the leverage position that they are once they become a global superstar so really what we've witnessed with the taylor swift story is that conflict that because when an artist who has achieved global success then comes to renegotiate with a label that actually prior to their fame had their label had their rights signed off so even in this age of new technology and streaming the way in which we get all music is it still the case the big music is king the big music is king it's interesting you bring this

joining us now from london zack fuller a music analyst at miti at research good to have you with us on cars in the costs act does taylor swift have a point with artists receiving such a small percentage of the revenue generated by their music where is the rest of the money going. of course but this is a conflict that is old as music recorded music history and we've seen this going back from the days of the beatles there's always been this conflict over is the artist being renumerated in the way that they should through the record label now when artists often sign these deals they are not in the leverage position that they are once they become a global superstar so really what we've witnessed with the taylor swift story is that conflict that because when an artist who has achieved global success then comes to renegotiate with a label that actually prior to that fame had their label had their rights signed off so even in this age of new technology and streaming the way in which we get all music is it still the case the big music is king the big music is king it's interesting you bring th