in my time -- i was there in '86 and larry davis got shot, i was working in the bronx, larry davis shot six officers. two officers with their prisoners still at the crime scene. unreal. going into five hours. and as geraldo pointed out, to make matters unspeakably worse and more complex, a thunderstorm landing on it, which will add more complexity. very, very bad. very complicated scene. and a miracle on the other side. so i salute philadelphia police. i salute you guys. i salute them all come too. ted, let's go back to you, as they do have the place surrounded. strategically, what are the police department options at this particular point? obviously, i think patients has to rule the day, securing the perimeter is done. what options are available from your professional standpoint, do they have, in your arsenal? >> right now, just as geraldo and pat have represented, that his patience. they can wait him out as long as he is not harming anyone else. if he starts to harm, as i said, those police officers, or continue to shoot up where their safety may be a concern, they are going to go in

i was working in 1986, in march, when larry davis shot a six cops up in the bronx.tell you, it was a thousand times worse. so thank god. >> harris: pat bresson, thank god indeed. a list of charges potentially against them gets longer by the hour. thank you for your time. i will move to this. an expose of political situation developing now. israel has barred congresswoman ilhan omar and rashida tlaib from entering the country after president trump tweeted about it. did they vow to the president? how did the democrats respond? the power panel next. ♪ there's a company that's talked to even more real people than me: jd power. 448,134 to be exact. they answered 410 questions in 8 categories about vehicle quality. and when they were done, chevy earned more j.d. power quality awards across cars, trucks and suvs than any other brand over the last four years. so on behalf of chevrolet, i want to say "thank you, real people." you're welcome. we're gonna need a bigger room. i felt withdrawn, alone...mile, you become closed off. having to live with bad teeth for so long was ex

his most recent biographical work is the documentary film fsma davis junior, i gotta be me. so, larry what has money to biography . >> hi. i may be a little different from the rest of the panel, my venue is really entertainment. so, obviously, in entertainment you are dealing with the public persona of performers, what they sang, danced, acted, and of course what happens offstage or behind the curtains is equally fascinating as you try to make sense out of what a performer did public we do with what were his or her motivations, the context of the time, what trends and tastes changed in my case american entertainment , to make them in favor are out-of-favor so i've already been interested in that on stage and off stage dialectic and hopefully when we talk more about sammy davis junior that's particularly persuasive. >> john winkler is a professor of the history department at the university of missouri columbia. he is interested in religious history, particularly methodism and he was also on my committee when i took my exams and when i wrote my dissertation, so i'm glad i'm asking you t

larry, in the movie about davis -- >> yeah. again, that's the -- you hit the nail on the head. that's the -- one major trajectory of telling his life which is he grew up as segregated as self-segregated as you could be in america because not only was he black. he was an entertainer. and when he managed to hitch his wagon to the magic that was the rat pack, the rat pack threw all of their weight behind john f kennedy, and we have some very wonderful, i think commentary about how the rat pack represented, you know, a group of ethnic people coming together to support a young president, but as we know, once the inauguration ball happened, sammy was disinvited by the white house because kennedy did not want to incur the wrath of some southern democrats he had dragged on board reluctantly, and sammy davis junior was totally disillusioned. he was dragged somewhat kicking and screaming into thesivity rights movement, but i think you can argue by the time martin luther king is assassinated, he's out on the front lines and thanks to emily, in fact, uncovered the information that he proba

his most recent biographical work is the documentary film, sammy davis junior, i gotta be me. so, larry, tell us what drew you to this . >> hi. i may be a little different from the rest of the panel. my venue is really entertainment. so, obviously, in entertainment you are dealing with a public persona of performers, but they sang, danced and acted and then of course what happens offstage or behind the curtain is equally fascinating as you try to make sense out of what a performer did publicly with what were his or her motivations in the context of the time, what changed in american entertainment to make them in favor or out-of-favor, so i guess i've always been interested in that dialectic between on stage and off stage and we talk more about sammy davis junior that's particularly persuasive . >> john reger is a professor of the history department at the university of missouri, columbia. he's interested in religious history, particularly methodism and he was also on my committee when i took my dissertation. i am asking you the questions this time. he's written biographies on francis as