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or for years with our curator klaus lichtman wanted to make a statement and now that he's made it it's almost tragic just how timely it is for forests is a replica of a european forest that's been erected in a football stadium in austria and the installation reminds visitors what it would be like to live in a world where trees think this only as an exhibit and it's caused quite a stir. anyone expecting to see penalties at the vertices stadium in clark in fort lee in for a bit of a surprise there's not much soccer going on in this fast. for this project the swiss artist klaus lipman was inspired by a drawing by the austrian artist max pite now called the an indie attraction of nature. basically what i'm doing here is trying to produce a quite radical picture and i'm dealing with an underlying theme that max planck now also have both of us independently of each other and that's perception. this is . how do we deal with our perceived nature. visitors are not allowed to touch into the forest look at us. and want to create a warning monument about the climate crisis it took him 6 years of p
or for years with our curator klaus lichtman wanted to make a statement and now that he's made it it's almost tragic just how timely it is for forests is a replica of a european forest that's been erected in a football stadium in austria and the installation reminds visitors what it would be like to live in a world where trees think this only as an exhibit and it's caused quite a stir. anyone expecting to see penalties at the vertices stadium in clark in fort lee in for a bit of a surprise...
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for his project the swiss artist klaus lichtman was inspired by a drawing by the austrian artist max pite now called the un indeed attraction of nature. basically what i'm doing here is trying to produce a quite radical picture and i'm dealing with an underlying theme that max plight now also have both of us independently of each other and that's perception. how do we deal with our perceived nature we go to. visitors are not allowed to touch or into the forest look at us. and wanted to create a warning more new meant about the climate crisis it took him 6 years of planning to realize the full farce project. they work together with the swiss landscape architect in so anyhow it's nice to see . these are the difference in the cities here. those there are the black pines you've. been replanted 16 times. 299 trees were planted between the goalposts creating a mixed forest which has become quite rare in europe these days max partner whose artworks also feature in new york's museum of modern art is the visionary who imagined a stadium forest over 40 years ago. but is was not only wild mixed
for his project the swiss artist klaus lichtman was inspired by a drawing by the austrian artist max pite now called the un indeed attraction of nature. basically what i'm doing here is trying to produce a quite radical picture and i'm dealing with an underlying theme that max plight now also have both of us independently of each other and that's perception. how do we deal with our perceived nature we go to. visitors are not allowed to touch or into the forest look at us. and wanted to create a...
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for his project the swiss artists klaus lichtman was inspired by a drawing by the austrian artist max pyne called the unending attraction. basically what i'm doing here is trying to produce a quite radical picture and i'm dealing with an underlying theme that next point now also have both of us independently of each other and that's perception. how do we deal with our perceived nature. visitors are not allowed to touch or enter the forest only look at. that man wanted to create a warning monument about the climate crisis it took him 6 years to realize the 4 forest project. he worked together with the swiss landscape architect and so in the. ny times. these are the difference bases here. those there are the black pines you know. they've been replanted 16 tiles and. 299 trees were planted between the goal posts creating a mixed forest which has become the bike rare in europe these days the trees were located in various german french and italian nurseries some of them were 50 years old all the trees had been transplanted several times so they could cope before being transported the roots
for his project the swiss artists klaus lichtman was inspired by a drawing by the austrian artist max pyne called the unending attraction. basically what i'm doing here is trying to produce a quite radical picture and i'm dealing with an underlying theme that next point now also have both of us independently of each other and that's perception. how do we deal with our perceived nature. visitors are not allowed to touch or enter the forest only look at. that man wanted to create a warning...