is staging a production of his own work it's a special thrill for the $154.00 dancers with the paris opera ballet. and good judgment. to go for rehearsals for productions are tightly scheduled for the goddamn opera house this makes no exceptions. the venue's sumptuous velvet upholstery and lavish gold detail is downs like making the pentagon a premier tourist attraction. it still looks much the same as it did in the late 19th century when it was the beating heart of fashionable paris. i suppose i mean if you haven't i think the problem is that there are 6 different causes and there's also a major production of the opera busty and the easier stroke in investing. it's an unfamiliar situation for john neumeier the hamburg ballet is a much smaller company and the dancers are entirely at his disposal. he staged the story of the ill fated lovers many times but always managed to reinterpret it and find a new way of telling their tragic tale. there's interest and it is this month in movida as noise what's interesting is that you can always discover something new because humans are such a tunnel an

bagus did it they're all is it a paris opera as one of the main centers of ballet contests of history and tradition of any type it's your own hand and the specific i feel very honored to be in such a place i want to contribute to this venerable company as was i at 1st to a decent tide she owns i could see one of the companies i've worked with most often is the dame is i need the company in me to me she's a fast i'm bison gal by to top. the performance isn't just taking place on stage the audience is engaged in its own performance while the dancers wait in the wings. the. lot damo come here is a study of high society and fast morality but the production draws its emotional intensity from the power to do between alma and maggie heat it captures the very essence of their relationship. for. 40 years after it 1st premiered the tragedy has lost none of its power to move the audience. up because for the paris after a ballet and john i am. backstage he can graduates the company. you. have this valley it is your valley so please. take care let it grow let it grow in new let yourself grow as ar

in part he said is especially true of the paris opera which has a very long ballet tradition and an army that would be too much shit about it. the pentagon you opened its doors in 875 for years it was the biggest theater in the world a meeting place for high society. john nolan meyer loves the venue and frequently works here as a guest choreographer. he's a company a d.c. leader is i love this company very much it's basically that not too big because it will often have 2 big productions going on in it's 2 different venues mine i can lease to interest my. i'd like to have lots of time to work with my groups these are groups who are by so they cross but each row through its movements is an important color in this mosaic of emotions it has and. it is indeed some was a fun image tune is there. together with ballet masters kevin hagen and yeah. both former dancers with the hammer ballet john no i meyer is on his way to rehearsals his adaptation of la demo coming out yeah the 19th century novel by alexandre dumas is being staged in the city in which it was set. with. the retailer no really wan

dance in the paris opera i made sure my dad was there to see it to see it happen because i meanif you if you fast forward in those years and everything that we went through to be there it sounds a little bit like a miracle. when you were 13 you won the scholarship to go and study dogs in philadelphia in the u.s. how did it feel at that age to go to a foreign country when you've been in a bubble as you say your siblings is your friends and suddenly you're out there with just your sister as a companion in a foreign place i remember at the beginning. it's very scary because i didn't speak english very well i was the youngest in the school in the dormitories that's why my sister was with me and they were separate thing so everybody was looking at me differently and treating me differently so in that sense it was good and bad i wanted to be normal as possible but i also want to to excel at what i was doing so it was an interesting it was an interesting time it god really hard for me there in philadelphia 2 years after i had arrived i go to her need a disc in my back and i was going t

to dance in the paris opera i made sure my dad was there to see it to see it happen because i meanif you if you fast forward in those years and everything that we went through to be there it sounds a little bit like a miracle. when you were 13 you won the. to go and study dogs in philadelphia in the u.s. how did it feel at that age to go to a foreign country when you've been in a bubble as you say your siblings is your friends and suddenly you're out there with just your sisters as a companion in a foreign place i remember at the beginning. it's very scary because i didn't speak english very well i was the youngest in the school in the dormitory so that's why my sister was with me and they were said rare thing so everybody was looking at me differently and treating me differently so in that sense it was good and that i wanted to be normal as possible but i also want to to excel at what i was doing so it was an interesting it was an interesting time it god really hard for me there in philadelphia 2 years after i had arrived i go to her needed disc in my back and i was going through

dance in the paris opera i made sure my dad was there to see it to see it happen because i meanif you if you fast forward in those years and everything that we went through to be there it sounds a little bit like a miracle. when you were 13 you won the scholarship to go and study darts in philadelphia in the u.s. how did it feel at that age to go to a foreign country when you've been in a bubble as you say your siblings is as your friends and suddenly you're out there with just your sister as a companion in a foreign place i remember at the beginning. it's very scary because they don't speak english very well i was the youngest in the school in the dormitory so that's why my sister was with me and they were separate thing so everybody was looking at me differently and treating me differently so in that sense it was good and bad i wanted to be normal as possible but i also want to to excel at what i was doing so it was an interesting it was an interesting time it god really hard for me there in philadelphia 2 years after i had arrived i go to her need a disk in my back and i was

they'll say here in the french capital celebrating the three hundred and fiftieth anniversary of the paris opera. or front and center abbott expire all works by the artist ed gal dago who was famed for his staggering pictures of don says. the exhibition also dispels various myths about the offices let's take a lookk. it's one of the best best known works. the little fourteeeen yer olds downside was criticized for being too realistic in nineteenth century europe. but this come temple de the artitiss fascination with the ballet. the frenchman produced more than one thousand drawings paintings and etchingngs at the paris operara. making up almost half of all his wax. he spent hours watching the hassles trying to capture the dances movements. the dust bucks ready features the one will start on sis. instead the artist focused on ordinary ballerinas and the harsh realities they faced. it is possible he depicted announces mothers for a reason. i guess couountries d do got interpreted the difficult social reality confronting those offices who often came from poor families s pushed by the mothers to work

paris. destruction of the arc de triomphe, the opera house, where napoleon is buried, notre dame cathedral, the matalin church. the river bridges. we'llurse, coltus said fell the eiffel tower and the twisted steel will prevent allies from moving through the city. at truth, he had no intention of doing any such thing. knowing that the phone lines were probably tapped by the he's very careful in what he said. coltus recognized and acknowledged that paris was one of the most beautiful cities in europe, if not the world. he had no intention to be the man known through history who destroyed all the architectural wonders i just described. his resolution on the telephone was designed to protect as best he could his family that was still in germany. coltus really feared that soon enough he would have to either carry out hitler's directive or he would be replaced by an officer who would most certainly carry out hitler's directive. he commented to his staff rather jokingly, ever since the enemies have refused to listen to our fuhrer, the war has gone badly. it was now going quite badly the general --