them with my singing teacher when i studied in basel i know many different types of arrangements by joan baez and i mean everybody who sings folk music needs to arrange these songs by themselves and my singing teacher said the art is to make it not sound like an art and that's the challenge with these songs that you as a classic music singer you present them in the most direct and honest way without resorting to classic music money or is what is it do you think i mean the countertenor community is relatively small it's growing as as as you told me but for instance the cost plateau back in fighting at least they've used to be the real rock stars what is it about the countertenor just briefly voice that you think is so captivating. little i believe it's an instant confusion when you hear a count to 10 and you have never heard a man sing that high before because in society these days the rolled sub pretty clearly aside men speak and talk lower than women do so a man singing high. crosses this barrier and confuses the audience and then the brain tries to make sense of it but you cannot make much