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but doubts arise there is a condo family trade register resides in the lucky vo story codell instituto. chante and it is the basis of their tax report. florence had a highly advanced tax system the so-called catastrophe. as part of this its citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive portrayed must certainly have been made. but in 50 no 3 there is no reference to the expense of a painting. there is no record of a commission to leonardo in the entire trade register. there is also no mention of such a valuable painting in the inheritance. you can imagine how desperately i searched for clues of a commission or payments. not even in the testament is there mention that this painting existed. i think francesco would have certainly claimed it since it was a painting with a rising and secure value the whole thing is incomprehensible you know city of you should. just go would have most likely shown t
but doubts arise there is a condo family trade register resides in the lucky vo story codell instituto. chante and it is the basis of their tax report. florence had a highly advanced tax system the so-called catastrophe. as part of this its citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive portrayed must...
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but doubts arise there's a condo family trade register resides in the lucky vs store to codell instituto. dilli new 20 and it is the basis of their tax report. florence had a highly advanced tax system the so-called catastrophe. as part of this its citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive portrayed must certainly have been made. but in 50 no 3 there is no reference to the expense of a painting. there is no record of a commission to leonardo in the entire trade register. there is also no mention of such a valuable painting in the inheritance. you can imagine how desperately i searched for clues of a commission or payments i mean not even in the testament is there mention that this painting existed. i think francesco would have certainly claimed it since it was a painting with a rising and secure value the whole thing is incomprehensible begun as you have you should. just go would have most l
but doubts arise there's a condo family trade register resides in the lucky vs store to codell instituto. dilli new 20 and it is the basis of their tax report. florence had a highly advanced tax system the so-called catastrophe. as part of this its citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive...
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but doubts arise that a condo family trade register resides in the lucky vs story codell instituto deli no 20 and it is the basis of their tax report. florence had a highly advanced tax system the so-called qatar. as part of this its citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive portrait must certainly have been made. but in 50 no 3 there is no reference to the expense of the painting. there is no record of a commission to leonardo in the entire trade register. there is also no mention of such a valuable painting in the inheritance. you can imagine how desperately i searched for clues of a commission or payments. not even in the testament is there mention that this painting existed. i think francesco would have certainly claimed it since it was a painting with a rising and secure value the whole thing is in comprehensible. print just go would have most likely shown the portrayed by the famous p
but doubts arise that a condo family trade register resides in the lucky vs story codell instituto deli no 20 and it is the basis of their tax report. florence had a highly advanced tax system the so-called qatar. as part of this its citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive portrait must certainly...
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but darts arise there's a condo family trade register resides in the lucky vs store a codel instituto deli no 20 and it is the basis of their tax report. florence had a highly advanced tax system the so-called kotov. as part of this it citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive portrait must certainly have been made. but in 50 no 3 there is no reference to the expense of a painting. there is no record of a commission to leonardo in the entire trade register. there is also no mention of such a valuable painting in the inheritance. you can imagine how desperately i searched for clues of a commission or payments. not even in the testament is there mention that this painting existed because i think francesco would have certainly claimed it since it was a painting with a rising and secure value the whole thing is incomprehensible she's begun already of you should. just go would have most likely
but darts arise there's a condo family trade register resides in the lucky vs store a codel instituto deli no 20 and it is the basis of their tax report. florence had a highly advanced tax system the so-called kotov. as part of this it citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive portrait must...
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but doubts arise there's a condo family trait register resides in the lucky viewer story codell instituto. and it is the basis of their tax report. florence had a highly advanced tax system the so-called catastrophe. as part of this its citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive portrayed must certainly have been made. but in 50 no 3 there is no reference to the expense of the painting. there is no record of a commission to leonardo in the entire trade register. there is also no mention of such a valuable painting in the inheritance. you can imagine how desperately i searched for clues of a commission or payments i mean not even in the testament is there mention that this painting existed. i think francesco would have certainly claimed it since it was a painting with a rising and secure value the whole thing is incomprehensible he's begun he knows you have you should. just go would have most l
but doubts arise there's a condo family trait register resides in the lucky viewer story codell instituto. and it is the basis of their tax report. florence had a highly advanced tax system the so-called catastrophe. as part of this its citizens had to claim all of their incomes and expenditures. in this trade register all movement of money and assets were meticulously recorded . the summary mentions that leonardo received the commission in 1503 so a record of the expensive portrayed must...