and it was here to that where we, victoria, heifetz, began to show herself publicly as a woman lane has the kind of history for gender, school entity. i knew this is pity that can make me feel more safe to try. and so it was a kind of intuition. so they knew that i be, i will be able to do it here. really began hormone transition therapy, but as chosen not to undergo surgery, adopting the middle name. victoria really identifies as gender fluid wearing dresses has made her the target of verbal and physical abuse of grim reality. many trans people know too well. while we are transitioning, we are very also very visible and it's not so easy to be visible and at the same time to transition. and so we all very much exp, violence on the stress also and really soon came to recognize the privileges she once enjoyed. when she presented as male, as a gender fluid person, it's become more difficult where we are works are currently on display at berlin's spool is or gave museum. as part of the exhibition intimacy once founded to document the emancipatory struggle and art of gay men, the museum toda

and it was here too, that really, victoria heifetz began to show herself publicly as a woman. the land has a kind of a mystery for gender solidity. i knew this a city that can make me feel more safe to try things. so it was a kind of intuition. so they knew that i be, i will be able to do it here. really began hormone transition therapy, but it's chosen not to undergo surgery, adopting the middle name. victoria really identifies as gender fluid. wearing dresses has made her the target of verbal and physical abuse. a grim reality many trans people know too well. why we are transitioning, we are very also very visible and it's not so easy to be visible and at the same time for transition. and so we are very much the violence on the stress also and but i really soon came to recognize the privileges she once enjoyed when she presented as male as a gender fluid person, it's become more difficult really, art works are currently on display at bruin's spool is or gave museum as part of the exhibition intimacy once founded to document the emancipatory struggle and art of gay men. the m

and it was here too that where we, victoria, heifetz began to show herself publicly as a woman, the landing has a kind of history for gender solidity. i knew this a city that can make me feel more safe to christ. and so it was a kind of intuition, so they knew that i be, i will be able to do it here. really began hormone transition therapy, but as chosen, not to undergo surgery, adopting the middle name. victoria really identifies as gender fluid wearing dresses has made her the target of verbal and physical abuse. a grim reality many trans people know too well why we are transitioning. we are very also very visible and it's not so easy to be visible. and at the same time to transition and so we are very much the violence on districts also, but i really soon came to recognize the privileges she once enjoyed. when she presented as male, as a gender fluid person, it's become more difficult where we are works are currently on display at berlin's school is or gave museum. as part of the exhibition intimacy once founded to document the emancipatory struggle and art of gay men, the museum today f

and it was here to really victoria. heifetz began to show herself publicly as a woman, lynn has the kind of history for gender solidity. i knew this city that can make me feel more safe to cry. so it was a kind of intuition, so they knew that i be, i will be able to do it here. really began hormone transition therapy, but as chosen, not to undergo surgery, adopting the middle name, victoria, where we identifies as gender fluid wearing dresses has made her the target of verbal and physical abuse. a grim reality. many trans people know too well why we are transitioning. we are very also very visible and it's not so easy to be visible and at the same time for transition. and so we all very much the violence on districts also in but i really soon came to recognize the privileges she once enjoyed when she presented as male as a gender fluid person, it's become more difficult. artworks are currently on display at bruin's school is or day museum. as part of the exhibition intimacy once founded to document the emancipatory struggle and art of gay men, the museum today focuses on the diversity of

bit different people can generally be who they are you straightly artist heifetz has also had that experience not having to decide between being a man or woman is a freedom that can always be taken for granted. roee victoria is an israeli artist who lives and works of berlin. born in 197842 year old opposes pigeonholing. people want to put in a one. and i can understand i think also in my brain i wish to you know to wake up one morning and to say yes i am a woman or yes i am a man it never happened to me it is a fight it is a battle but at the same time i think one of my goal is also to celebrate. artworks often depict old women. whose bodies and faces have been rendered invisible by society. or pictures hi-lo to a certain tension between the body and soul. of the body and the way you feel the tension between the identity and the body itself it's something that i feel inside of me also it's about questions about the gender i. also. feel about my body and. when i look at this those women and those women i feel that there is a lot of tension between down and the way they feel. growing who studi

bit different people can generally be who they are you strangely artist heifetz has also had that experience not having to decide between being a man or woman is a freedom that can always be taken for granted. roee victoria is an israeli artist who lives and works of berlin. born in 197842 year old opposes pigeonholing. people want to put you in a while. and i can understand i think also in my brain i wish to you know to wake up one morning and to say yes i am a woman or yes i am a man it never happened to me it is a fight it is a battle but at the same time i think one of my goal is also to celebrate. artworks often depict old women. whose bodies and faces have been rendered invisible by society. her picture is highlighted a certain tension between the body and soul. of the body and the way you feel the tension between the identity and the body itself it's something that i feel inside of me also it's about questions about the gender i. am and also feel about my body and. when i look at this those women those women i feel that there is a lot of tension between dan and the way they feel. grow

identity, it was and continues to be a liberating environment for many artists like really, victoria heifetz and israeli artist who has exhibited across europe the u. s. and israel and for whom drawing is an intimate act of self discovery. the victoria hyphen isn't israeli artist who lives and works in berlin. and the 42 year old opposes pigeon holing wants to put you in one box. and i can understand them. i think also in my brain, i wish to, you know, to wake up one morning and to say, yes, i am a woman. oh yes, i am a man. it never happened to me. ro is art works often to pick the older women, bodies and faces have been rendered invisible by society or pictures, highlight a certain between the body and the soul. the ro, either studied art in boston and jerusalem knows this tension well, for a large part of her life, she's been mulling questions of self identity. i just found that something is missing. i didn't know what it is. so i don't think that i have if my body i just, i didn't know my body. in some point. in the age of thursday, i felt that i need to explore. i need to go into this j