jim chu, chu, he says this is absolutely necessary because kenyans very often don't know where these artifacts saw and even what they got, what they are. and here he is explaining the scope of this problem, just in kenya, plan was to create a database of canyon objects that are spread out across the cultural institutions across the world. because because can never know where its object sign, what they are, we decided to visualize every object as a shipping label. because for us, every object that left can was shipped out, right? and honestly, we've covered all the walls, but this is only like 2000. well, that does indeed make you think of obviously a lot of work to be done. what's the latest on the co drum? well, france and germany have done quite a lot. so moving the direction of returning stolen artifacts. but the british museum is holding onto this idea that it is a custodian all the world heritage for the world is making sure that these pieces remain safe and can be seen by thousands of people. but the still, the british museum. and one problem with this is a course that people i

so that's why our team talk to artist, an activist jim chu, chu. he says this is absolutely necessary because kenyans very often don't know where these are the facts and even what they got, what they are. and here he is explaining the scope of this problem, just in kenya, plan was to create a database of canyon objects that are spread out across the cultural institutions across the world. because because can never know where its object sign, what they are, we decided to visualize every object as a shipping label. because for us, every object that left kenya was shipped out late. and honestly, we've covered all the was, but this is only like 2000. well, that does indeed make you think of obviously a lot of work to be done. what's the latest on the pacola drum? well, france and germany have done quite a lot. so moving the direction of returning stolen artifacts. but the british museum is holding onto this idea that it is a custodian all the world heritage for the world is making sure that these pieces remain safe and can be seen by thousands of peopl

and that's why i want to talk to artist, an activist jim chu, chu. he says this is absolutely necessary because kenyans very often don't know where these are the facts and even what they got, what they are. and here he is explaining the scope of this problem, just in kenya, plan was to create a database of canyon objects that are spread out across the cultural institutions across the world. because because kind of in no way it's object sign what they are . we decided to visualize every object as a shipping label, because for us, every object that left kenya was shipped outright. and honestly, we've covered all the walls, but this is only like 2000. well, that does indeed make you think of obviously a lot of work to be done. what's the latest on the drum? well, france and germany has done quite a lot. so moving the direction of returning stolen artifacts. but the british museum is holding onto this idea that it is a cause, dodie and all the world heritage for the world is making sure that these pieces remain safe and can be seen by thousands of people

and that's why our team talk to artist and activist jim chu, chu. he says this is absolutely necessary because kenyans very often don't know where these are the facts and even what they get, what they are. and here he is explaining the scope of this problem, just in kenya, plan was to create a database of canyon objects that are spread out across the cultural institutions across the world. because because cameras in no way it's object sign what they are, we decided to visualize every object as a shipping label. because for us, every object that left kenya was shipped outright. and honestly, we've covered all the was, but this is only like 2000. well, that does indeed make you think of obviously a lot of work to be done. what's the latest on the cold drum? well, france and germany have done quite a lot. so moving the direction of returning stolen artifacts. but the british museum is holding onto this idea that it is a custodian all the world heritage for the world is making sure that these pieces remain safe and can be seen by thousands of people. bu

jim curran, walt aronstein. dr. yasmin: you're just a name dropping, sue. dr. chu: i know, is that bad? dr. these are legends in public health. dr. chu: that is what you get to work with. and eis gives you the venue to do that and you are forever changed. dr. yasmin: thank you and before i let all of you go, i want to ask you all to dig deep. and think about words of inspiration, for the current eis officers, and the incoming eis officers. eric, as he said, unprecedented times. yet, all of you have had or are still having such rich careers and experiences. so perhaps i can start with jenny, what would you say to current eis officers facing unprecedented challenges and to incoming eis officers as well? dr. mcquiston: i would say, don't believe your day job is the job you're going to have for your two years at eis. much of what cdc has been engaged in since 2014 and the big ebola outbreak, was emergency response at a most every eis officer is going to work on the big cdc responses. it is an amazing opportunity to meet people outside your immediate branch or your mediate state health departmen