(applause) ralph remington, our new director of cultural affairs for the san francisco art division. your yes is the beginning of a reckoning within our system. i'm so grateful you said yes. thank you. (applause) it's pretty exciting today and i have some other work to do. i put a bowl here. i've got all this hair, i can't really see. monumental reckoning is bigger than all of us. and i'm not speaking of the ancestors here. i'm talking about a reckoning in this country. it's time. the time is now. the place that it begins for us is here. (applause) i'm a different person than i was before i got a call from a man named ben davis who asked me if i would be interested in talking about doing art here in this space. i never thought that -- i won't say that we didn't really get here. i knew once we got on the path we would get here. but i want to thank you for your vision, your creative vision which has provided so much beauty and awe and joy for the people of san francisco from the bay bridge lights to the pink triangle to grace cathedral being lit up, to the beautiful conservetory of flo

the new director of the arts commission in san francisco, ralph remington, and ralph, you're going toe your mask off in the street so we recognize you. she's the new director for the grants for the arts, but she's been advocating for so many arts businesses in san francisco. we have vallie brown, the director of grants for the arts, and our new director of the office of economic and workforce development. you'll hear from the other two speakers that are joining us, and i'll introduce them, and i want to recognize deputy chief of the san francisco police department. thank you, chief lozar. i want to say captain, but you went from a captain, and you've moved on up in the ranks, and we appreciate you and the san francisco police department and everything you do to keep our citizens safe. we also have -- thank you, karen, and the union street bid for your work because i know that your work and your advocacy is why we're here today. it is a great day in san francisco, and when you think about where we are now and how far we've come, just sit in that moment. the giants are first place in th

. >> so, the question is where is this 270 remington? >> that's correct. >> when dateline continues. teline continues that covers heartworm disease, ticks and fleas, round and hookworms. dogs get triple protection in just one simparica trio! this drug class has been associated with neurologic adverse reactions, including seizures. use with caution in dogs with a history of these disorders. protect him with all your heart. simparica trio. when eye allergens attack, the itch can last 24 hours. protect him but with pataday once daily relief extra strength you get fast, 24-hour relief in one drop. make it a pataday with the drop that's right for you. now without a prescription. everywhere. ever notice how stiff clothes can feel rough on your skin? for softer clothes that are gentle on your skin, try downy free & gentle downy will soften your clothes without dyes or perfumes. the towel washed with downy is softer, and gentler on your skin. try downy free & gentle. ♪ irresistibly delicious. ♪ ♪ pour some almond breeze. ♪ ♪ for the maestros of

just remington man, what 3 do they, monsieur? no. he says how is not one thing or another one? no one was ever charged with gustavo murder is you. they will be will come though. for the last part of the will you see, you know that all because in their own ways no, not of us have gotten be not here in law. barbara. i see a little boy political father probably do a boy who is here. he says on when i found a young lady and i will not continue. mm. the sheer importance of football in argentinian life was crystallized when mauricio mackey. the multi millionaire, former chairman of boca became president of budget he also became a figure of hate for fans of other clubs who accused him of using presidential influence to favor boca during his stewardship. but love on benita. the battle brothers had brutally attacked visiting fence, leading to a court case. the judge, you requested information from the club in transit, but they will go over this marketing letter with get it over to the socio they will got no say they put in the agreed and when i went over was nobody the files there might

directors remington and brown and our new director of economic activity in the city, kate sophis.ese folks know our city, know our arts, and are going to be doing more of these different type of projects, so i'm just grateful, mayor, and thank you so much, and thank you all. [applause] >> the hon. london breed: when i was in high school in san francisco at galileo high school, nothing made me more excited than out of nowhere, when we were out in the courtyard, the music would blast in the p.a., and then, there was this whole pep rally for home coming. those kinds of things would happen all the time, and part of what gets a community alive and rooting for san francisco has to do with things all of a sudden out of nowhere wherein a plaza like this, you see artists dancing and performing. everyone stops in their tracks to look, and it puts a smile on people's faces. holiday plaza, out of nowhere, people were dancing and performing as people were waiting in line to get their coffee. just imagine if people are expanding and providing entertainment in a way that really puts a smile on p

directors remington and brown and our new director of economic activity in the city, kate sophis. all of these folks know our city, know our arts, and are going to be doing more of these different type of projects, so i'm just grateful, mayor, and thank you so much, and thank you all. [applause] >> the hon. london breed: when i was in high school in san francisco at galileo high school, nothing made me more excited than out of nowhere, when we were out in the courtyard, the music would blast in the p.a., and then, there was this whole pep rally for home coming. those kinds of things would happen all the time, and part of what gets a community alive and rooting for san francisco has to do with things all of a sudden out of nowhere wherein a plaza like this, you see artists dancing and performing. everyone stops in their tracks to look, and it puts a smile on people's faces. holiday plaza, out of nowhere, people were dancing and performing as people were waiting in line to get their coffee. just imagine if people are expanding and providing entertainment in a way that really puts a

he discussed a drug called remington which is used around the world to prevent and treat the spread offternoon, youtube confirmed that it has blocked brett weinstein's channel from generating any ad revenue which is how he makes a living come in part since he left evergreen. they suspended him from the youtube partner program and youtube added that they will not allow any channel to discuss "claims that iver maxton is effective in the treatment of covid." thanks so much for coming on. so tell us what -- those are the bare bones of the story but tell tus what you think this means ad why google would be opposed to talking about ivermectin. that's confusing? in some ways. >> it is confusing but i think the way to understand it is consider the question of what would be ideal from the perspective of the pharmaceutical industry at the moment? it would be ideal if vaccines were recommended for all people irrespective of their age, irrespective of whether they had already had covid-19 and irrespective of whether or not they were pregnant. and it would be essential that there were no safe and e

as much as our shooting sports and ammunition business continues to grow and it's fuelled by the remingtoncts business whether it be cooking, or biking, or golfing, any of the products that we produce, we can't produce enough of them. >> now we've had a couple companies on that are outdoor companies. i'll give you two. thorn brunswick. i happen to love both of their products somehow people decided their products are going to be too cyclical and not do well the fact is you sell a lot of things that aren't that expensive but are of the highest quality. it's the mosaic that your stock keeps roaring where others have stalled? >> jim, i think that's part of it, right? i think there's part of it that we play in cyclicality but we're also counter cyclical stocks you think about if we were to go into a recessionary period or what have you, people can afford our products versus buying an rv or a boat or what have you but a lot of what drives our success recently is the new product innovation i could go through a litany of products we've introduced that are industry first products. i mentioned the w

we appreciate it and we will see you, director remington when your budget item comes forward.thank you so much. >> absolutely. then kelly returned items five and six. >> yes mister chair. i believe the next apartment is general city responsibility. >> great, i will now call up the department of general city resp, quite a name. this is for their presentation. welcome. >> thank you chair honeen and supervisors. our office manages most of the duties of the departments, which is not an operating department but actually it coordinates most of the functions that we talked about in the revenue last week, such as the projection and allocation of tax revenues, management of the city's reserves and compliance with voter mandated lines. i have a very, very short presentation and i will share my screen and just moments. as i just mentioned, this department is the department in our system called jen and it contains revenues and expenditures that are used by many different departments, particular general funds department. it is sort of the holding place for activities that belong to the cit

. >> hello chair, this is ralph remington, newly appointed january of director of cultural affairs for the san francisco art commissions. i'm joined today and our deputy director of programs jointly. i just wanted to send my greetings to you and president walton and the board of supervisors. so with that i will pass this on to joanne lee, our deputy gerber programs. >> thank you director remington and thank you supervisors. we are delighted to partner with the treasurer's office in the financial justice project to introduce this legislation this state of the license fee for our street license program. through their biannual review of signs and fees to practice the city, the treasurer's office financial justice project works with the mayor's budget office to examine signs and fees that have an adverse and disproportionate impact of low income residents and communities of color. street art of license fee of $849 has been historically paid by artist to our low income and or aging. the license fee permits artist to sell their art and designated spaces. you are probably familiar with our st

(applause) ralph remington, our new director of cultural affairs for the san francisco art division.ll of love. i'm so full and i'm so grateful you are all here to bring in the ancestors. thank you. thank you so much. (applause) >> we love you dana! >> i love you miss blue. we're a tiny team, tiny but mighty. (reading names) thank you. thank you. i mentioned january 31st. we started a conversation february 1st. the ancestors were built -- i forgot three people. i have to stop right now. i need to acknowledge alex nolen and john woolworth. rachel arambola. are you here? yes? i heard it. they agreed to do it in seven weeks. it then went to an incredible neighbor named alonso. is he here? and his business partner ryan. they painted the ancestors. and then the 12 women that i introduced you to, including rachel, we finished the ancestors. seven weeks time. (applause) we are going to go see the ancestors. are you ready? i'm going to ring this beautiful instrument four times. every ring of this gong, this beautiful bowl represents 100 years of slavery. and after i ring that, we're going to

when i was nine years old i treated my old bicycle to an uncle for a 1912 remington typewriter. this is one of those square things about yay high and yale wide, weighing about 50 pounds. i got my dad to bring me a box of carbon paper. if i hit those keys as hard as i could i could make six copies of my home reported homegrown newspaper for my neighborhood. by then we lived in a camp with about 30 houses. all men worked in refining companies. it was a family-owned company in those days. it is not called exxon. it was bought by standard oil of new jersey. my dad and several of his brothers all worked for the company. we lift ten miles outside of texas on the middle of a big ranch, in the middle of one of the biggest oil fields in texas. i was the local reporter and publisher of about a weekly newspaper if i could manage it. and i made a successful business of it. back then it was a real popular christmas gift for kids. it was a little printing press you set rubber pipe on this thing. you could run them an awful lot quicker than i could type them. some kid would always get one of t

. >> hello chair, this is ralph remington, newly appointed january of director of cultural affairs for commissions. i'm joined today and our deputy director of programs jointly. i just wanted to send my greetings to you and president walton and the board of supervisors. so with that i will pass this on to joanne lee, our deputy gerber programs. >> thank you director remington and thank you supervisors. we are delighted to partner with the treasurer's office in the financial justice project to introduce thiseg

thank you so much director remington for your leadership and being here with us. and to the controller, it is our intention to accept the arts commission budget with the recommendations and we appreciate your time. >> thank you. the war memorial accepts the recommendations from bla for the budget in 21-22 and hopes to maybe revisit some numbers for 22-23, depending on what our activity levels are at that point during the next budget cycle but in full agreement with the bla. >> thank you chair haney. our recommendations for the war memorial are page 57 of the report. reductions total 144,714 in fiscal year 21-22, all of those recommended reductions are ongoing. and still allow an increase of about $4.4 million or 17.9%. our recommended reductions in the proposed budget total 143,772 in fiscal year 22-23, all ongoing savings. as the director says we have agreement with the department and we're available for questions. >> supervisor haney: colleagues, any questions or comments? not seeing any, thank you so much for your work and your time and being here with us. it i

my name is ralph remington and i'm the director of cultural affairs for the san francisco art commission i'm the first african-american to serve in this position. so i'm pleased to be four months into my role with the city of san francisco and to be presenting our two-year budget for your consideration. i will be talking about a few of our agency's goals and accomplishments, specifically around covid response and recovery and racial equity and, of course, finances. here we me today is the art commission deputy director of finance who will be presenting with me. the arts and entertainment were the hardest hit during covid, so our community needed fast response strategy to stay afloat. in march 2020, the mayor launched a relief fund for artists and the arts and within 10 weeks, there was distribution of all the funds to 699 individuals and 65 organizations. we also hired artists to create posters espousing public health messages and thanking our front-line workers. at covid command center, we launched a residency program so the incredible stories and efforts of city workers could be captur

directors remington and brown and our new director of economic activity in the city, kate sophis.ity, know our arts, and are going to be doing more of these different type of projects, so i'm just grateful, mayor, and thank you so much, and thank you all. [applause] >> the hon. london breed: when i was in high school in san francisco at galileo high school, nothing made me more excited than out of nowhere, when we were out in the courtyard, the music would blast in the p.a., and then, there was this whole pep rally for home coming. those kinds of things would happen all the time, and part of what gets a community alive and rooting for san francisco has to do with things all of a sudden out of nowhere wherein a plaza like this, you see artists dancing and performing. everyone stops in their tracks to look, and it puts a smile on people's faces. holiday plaza, out of nowhere, people were dancing and performing as people were waiting in line to get their coffee. just imagine if people are expanding and providing entertainment in a way that really puts a smile on people's face as they

my name is ralph remington and i'm the director of cultural affairs for the san francisco art commissionn to serve in this position. so i'm pleased to be four months into my role with the city of san francisco and to be presenting our two-year budget for your consideration. i will be talking about a few of our agency's goals and accomplishments, specifically around covid response and recovery and racial equity and, of course, finances. here we me today is the art commission deputy director of finance who will be presenting with me. the arts and entertainment were the hardest hit during covid, so our community needed fast response strategy to stay afloat. in march 2020, the mayor launched a relief fund for artists and the arts and within 10 weeks, there was distribution of all the funds to 699 individuals and 65 organizations. we also hired artists to create posters espousing public health messages and thanking our front-line workers. at covid command center, we launched a residency program so the incredible stories and efforts of city workers could be captured in photography and illustra

my name is ralph remington and i'm the director of cultural affairs for the san francisco art commissionamerican to serve in this position. so i'm pleased to be four months into my role with the city of san francisco and to be presenting our two-year budget for your consideration. i will be talking about a few of our agency's goals and accomplishments, specifically around covid response and recovery and racial equity and, of course, finances. here we me today is the art commission deputy director of finance who will be presenting with me. the arts and entertainment were the hardest hit during covid, so our community needed fast response strategy to stay afloat. in march 2020, the mayor launched a relief fund for artists and the arts and within 10 weeks, there was distribution of all the funds to 699 individuals and 65 organizations. we also hired artists to create posters espousing public health messages and thanking our front-line workers. at covid command center, we launched a residency program so the incredible stories and efforts of city workers could be captured in photography and i

directors remington and brown and our new director of economic activity in the city, kate sophis.these folks know our city, know our arts, and are going to be doing more of these different type of projects, so i'm just grateful, mayor, and thank you so much, and thank you all. [applause] >> the hon. london breed: when i was in high school in san francisco at galileo high school, nothing made me more excited than out of nowhere, when we were out in the courtyard, the music would blast in the p.a., and then, there was this whole pep rally for home coming. those kinds of things would happen all the time, and part of what gets a community alive and rooting for san francisco has to do with things all of a sudden out of nowhere wherein a plaza like this, you see artists dancing and performing. everyone stops in their tracks to look, and it puts a smile on people's faces. holiday plaza, out of nowhere, people were dancing and performing as people were waiting in line to get their coffee. just imagine if people are expanding and providing entertainment in a way that really puts a smile on

(applause) ralph remington, our new director of cultural affairs for the san francisco art division. all of us. and i'm not speaking of the ancestors here. i'm talking about a reckoning in this country. it's time. the time is now. the place that it begins for us is here. (applause) i'm a different person than i was before i got a call from a man named ben davis who asked me if i would be interested in talking about doing art here in this space. i never thought that -- i won't say that we didn't really get here. i knew once we got on the path we would get here. but i want to thank you for your vision, your creative vision which has provided so much beauty and awe and joy for the people of san francisco from the bay bridge lights to the pink triangle to grace cathedral being lit up, to the beautiful conservetory of flowers. thank you. thank you for letting me do what i do and giving me the space of your grace to do my work. i'm grateful. i'm grateful. i'm full of love. i'm so full and i'm so grateful you are all here to bring in the ancestors. thank you. thank you so much. (applause) >

(applause) ralph remington, our new director of cultural affairs for the san francisco art division. your yes is the beginning of a reckoning within our system. i'm so grateful you said yes. thank you. (applause) it's pretty exciting today and i have some other work to do. i put a bowl here. i've got all this hair, i can't really see. monumental reckoning is bigger than all of us. and i'm not speaking of the ancestors here. i'm talking about a reckoning in this country. it's time. the time is now. the place that it begins for us is here. (applause) i'm a different person than i was before i got a call from a man named ben davis who asked me if i would be interested in talking about doing art here in this space. i never thought that -- i won't say that we didn't really get here. i knew once we got on the path we would get here. but i want to thank you for your vision, your creative vision which has provided so much beauty and awe and joy for the people of san francisco from the bay bridge lights to the pink triangle to grace cathedral being lit up, to the beautiful conservetory of flo

however, many states, including my own home state of new york, home to remington arms, of all places, unconstitutionally restricts our right to carry concealed outside of our home. in most new york jurisdictions, an applicant must justify their need for a permit. despite the plain words of the second amendment enshrined for century in the bill of rights, state and local authorities in new york continue to reject applications for law-abiding americans for entirely arbitrary reasons or for this reason at all. states like california and massachusetts do exactly the same thing. this arbitrary standard must be rejected. that's why i'm leading the amicus brief for an upcoming u.s. supreme court case, new york state rifle and pistol association vs. corelet. this will decide if new york's burdensome concealed carry law violates the second amendment. a little background on the case. in 2016 new york officials denied the concealed carry permit of robert nash for the purpose of self-defense. later in 2018, they also denied the concealed carry application of brandon coj for the same reason. both

(applause) ralph remington, our new director of cultural affairs for the san francisco art division.m full of love. i'm so full and i'm so grateful you are all here to bring in the ancestors. thank you. thank you so much. (applause) >> we love you dana! >> i love you miss blue. we're a tiny team, tiny but mighty. (reading names) thank you. thank you. i mentioned january 31st. we started a conversation february 1st. the ancestors were built -- i forgot three people. i have to stop right now. i need to acknowledge alex nolen and john woolworth. rachel arambola. are you here? yes? i heard it. they agreed to do it in seven weeks. it then went to an incredible neighbor named alonso. is he here? and his business partner ryan. they painted the ancestors. and then the 12 women that i introduced you to, including rachel, we finished the ancestors. seven weeks time. (applause) we are going to go see the ancestors. are you ready? i'm going to ring this beautiful instrument four times. every ring of this gong, this beautiful bowl represents 100 years of slavery. and after i ring that, we're goin