ilona mishakova. i picked up the panels, the wood was etched, they gave a noble grayish-green tint.same shades are leaving, the light continues, yes, this is bottled and this brazilian slate reminded me of the colors of the water of venice, that is, we go in and immediately we swim, if the floor evokes memories of the canals of venice, then this window, according to the idea of ​​the bosom, should refer to the windows of venetian palaces. listen. you have such an apartment that we are standing in the corridor and are already discussing and discussing, and we can’t stop it in any way. well, you see another object brought from the forest. uh, a log that, if you bend over all the roughness of the unevenness, this log as a bench and console, it grows old gradually, it lives such figures, and people get to sit here. people don't want to leave with a glass lingering here, yes, yes, well, yes, it’s also very nice, but let’s still see what ’s behind our wall. behind the back, the living room reaches its maximum degree. comfort here reaches in the evenings, when friends settle on sofas and a