happy to go to the parade in the human river united ideas for a world without nazism, the actor vladimir mashkovill march with a portrait of his grandfather pyotr sergeevich mashkov, commander of the artillery brigade, who received the order of the red star for personal courage during the assault on kengsberg in gratitude. grandfather in gratitude to those guys who are now perform a special military operation to stick this phrase froze without nazism. thank you grandfather. thanks to all thanks to those guys who are now, not sparing their lives, are fighting for our lives, so that the immortal regiment supports people who are going to carry portraits of the participants in today's operation in ukraine into the procession, proud of their defenders of the fatherland. we will always be so no one will argue with anyone, each family has the right to take and carry a portrait of its member. in general formation. immortal regiment of russia since our warriors, they are really immortal, as long as we remember them, the main thing now is to ensure the security of the participants, so in the donbass , we

vladimir mashkov can play even a grumpy old woman, even a young nurse, but in this production he chooses a director and a modern pioneer, it didn’t work out american playwright. in russia, staged for the first time and in editing. mashkov, she changed not only the name, but also the character. i think deeper than the play is written, he made it more tragic more dramatic, and this is not just a broadway play where we laugh and part at the center of the plot of the play called the fight, the conflict between two residents of the nursing home, grumpy eternal murai, abi disputes her right to peace and window bed. in front of him is a moderately cheerful active marilyn. and come to me here even to a psychologist does not need to go to understand the window, only a convenient excuse to unleash the conflict of two radically opposite views on life . this is something very something very conflicting , something very necessary. this is a fight for life. for youth, for continuation or the same deliberate gloom, both women hide from the mistakes of the past , and as a result, this exchange of energi

vladimir mashkov can play at least a grumpy old woman, at least a young nurse, but in this productionle of director and discoverer, you didn’t understand exactly how this is done. you saw that you wanted to do it in a modern way and it didn’t work out for the first time in the editor. mashkov, she changed not only the name, but also the character. i think deeper than the play is written, he made it more tragic more dramatic, and this is not just a broadway play where we laugh and disperse in the center of the plot of the play called a fight, a conflict between two residents of a nursing home , grumpy and eternal murai. abi disputes her right to peace and a window bed. in front of him is a moderately cheerful active marilyn. come on, you do n’t even need to go to a psychologist here to understand the window, it’s just a convenient excuse to unleash the conflicts of two radically opposite views on life fight. this is something very something very conflicting. something very necessary is the fight for life for youth. for continuation or the same deliberately gloomy, both women hide from