iskazhan gorodok is distinguished by its individuality and originality. it's not only age differences. it is precisely this mood, the state of the intellect, the attitude to what is happening that two icons and the resurrection of the descent into hell demonstrate such a phenomenon in belarusian icon painting as the parallel existence of iconographic schemes borrowed from both eastern and western european iconography. and here in the plot of sunday is the descent into hell. this is a very bright and very interesting manifestation of the first monument. uh, sunday descent into hell. he comes from uh, lahla, the stolin region, and he is just the same character. that's it byzantine iconography. e that we remember christ and having lowered the spirit descends into hell, just as by his death on the cross, and he atones for original human sin and the first one, or rather, the first one that christ brings out of hell were adam and eve, and here it is shown on the icon. uh, christ a shining mandor or a two-tone blue-blue stands on the defeated gates of hell and l