. >> so in 1972, allan edmunds founded the brandywine workshop and archives, an art collective originallyn a philadelphia garage. what was the intention there? >> we decided that it needed to be an institutn that could provide that bridge between your aspiration as a young person, thinking about a career in art, and it actually creating a path for them. so it was about providing role models. >> and a place where artists could come, as they do today, for a two-week workshop to tryor their hand at printmaking. 50 years and some 500 prints later, brandywine artworks are ensconced in an ever-expanding number of major museum collections, including here at the harvard art museums. what does that do, what does that represent? >> to be honest with you, we never envisioned that we would be at harvard art museum with an exhibition. we never envisioned that. but what we did ension, that if we kept to inclusion as a part of the issue of quality, that at some point, it would manifest itself into wider recognition outside of philadelphia. >> harvard acquired this collection in 2018. it's a mix of famou