tickets only by pull were the main ones in the theater, people's artist of the republic valentin elizaeva hype. it was impossible to buy tickets and sold them at the box office. uh, only with the condition that you buy at the same time a few more ballets for the opera at the most unmarketable. you can not go there, but the main thing is that you bought the tickets. glory to the beaver belarusian ballet for the whole vast country in the epicenter of the cultural life of minsk we were young together ussr valentin elizariev, in the seventy-third year i just started to get sick at the leningrad conservatory in the ministerial department and tracked me down from the third year of the conservatory, our former minister of culture and yuri mikhailovich a wonderful person, in the third year, received an award at all union competition. and here, probably they were looking for a person who was the head of the pipe, therefore, it so happened that i was assigned to the republic of belarus and on october 10 everyone from the third year. i started my activity the era began or zaela when he came to us a

which even now go through such a number, and they are not outdated critics converge into one valentin elizaev something fundamentally new for the entire soviet ballet. her girl is somehow like some kind of tool. sasha hug her, like a woman, the cult production of the seventy- sixth year of the creation of the world will become a real hymn to man for all time of life, conquering death. good conquering evil only refers to this plot, and through the story of adam and eve, he suddenly builds a parable about the apocalypse about what is relevant at that time and today, yes, how we protect the world. then it was the threat of nuclear war. yes, today, probably, these are some kind of environmental disasters and so on. yes, but suddenly the fragility of the world comes to the fore, and the need to protect it and some kind of hymn to a woman at the end, because it is a woman who revives something that can die and die forever, and while some admire the philosophy embedded in the choreography of others see the performance of fashionable anti-church propaganda one way or another , soviet citizens treated

the main thing was that people's artist of the republic valentin elizaev was together in the theater;it was impossible to buy tickets and sold them at the box office. uh, only on the condition that you buy at the same time a few more ballets for the opera at the most unmarketable. you can go there, but the main thing is that you bought tickets slava beaver, belarus and ballet thunders throughout the vast country in the epicenter of the cultural life of minsk young were together mr. valentin elizariev, 73 years old. i just graduated from the choreographer department at the leningrad conservatory, and from my third year at the conservatory , our former minister of culture and yuri mikhailovich was tracking me down, a wonderful person. uh, in the third year i received an award at an all-union competition. and here, probably, they were looking for a person who would lead the pipe, therefore, it so happened that i was assigned to the republic of belarus on october 10 seventy-three years. i started my day in touch with the beginning of the era or his when he came to our theater. he was as y

even now go through such a number, and they are not out of date, the critics go down to one valentin elizaevar high. and he created something fundamentally new for the entire soviet ballet, hug her in an armful so like you're a girl, like some kind of instrument. embrace her, like a woman, the cult production of the seventy-sixth year, the creation of the world, will become a real hymn to man for all time of life, conquering death. good conquering evil only refers to this plot, and through the story of adam and eve, he suddenly builds a parable about the apocalypse about what is relevant at that time and today, yes, how we protect the world. uh, back then it was the threat of nuclear war. yes, today, probably, these are some kind of environmental disasters and so on. yes, but this is suddenly fragility of the world comes to the fore, and the need to preserve it and some kind of anthem to the woman at the end, because it is the woman who revives what can perish and perish forever, and while some admire the philosophy embedded in the choreography, others see the performance as fashionable anti