korotkevichi suddenly had a feeling that this is such a national history, it is so , uh, deep, multifacetedthat is, here's the thread you don't pull, and that's all will be unusual. e, we first came up with one performance and it became clear that it could be, but it’s not the same and only when, again, on new year’s after faust, e, on new year’s we went to belovezhskaya pushcha. for the first time in my life i was in belovezhskaya pushcha and i had never been there before. and this one , this one, all of a sudden you somehow understand in a new way, well, this is about the question that nothing ever happens. by chance, somehow suddenly the nature of belarus opened up in a new way for me, somehow suddenly people opened up in a new way and that's it. it endlessly. somehow it opened , opened, opened, opened, and suddenly we were at a certain moment. eh, come to a conclusion. i say it should be absolutely be- you understand, absolutely belarusian history should have become not just some important element. this became the basis for creating a performance of such a high-quality performance, to w