nikolai played viktor sukhorukov ; ivan dobronravov, ekaterina ageeva and varvara shmykova, also starredthe film. and sukhorukov, of course, is simply magnificent. in this role, the shooting took place in a small village near kazan, the characters of the film are kryashens, a small people of the orthodox tatars, 100 years ago there were more than 100,000 of them. now the number of kryashnas has decreased by four times. on the example of one private story of the author of the film , they talk about the problem of the disappearance of small peoples during the period of globalization, but we need to figure it out a little. that's what, tatar, ilshat viktor sukhorukov tatar tatar you ivan is not a tatar which of you is baptized none, and why then did you take up this topic, because, well, this is a small people decorated. this is the small people. they are active because of this actually. well uh keeps your tongue into your culture. they have their own society there. they are very active, they have their own holidays, and the most interesting thing is that the crash villages preserve their c

that's what, uh, tatar, ilshat viktor sukhorukov tatar tatar, you ivan is not a tatar which one of yous baptized none none, and why then are you engaged in this topic, because, well, painted this is a small people. this is the small people. they are active because of this actually. well uh keeps his language in his culture. they have their own society there. they are very active, they have their own holidays, and the most interesting thing is that, of course, the villages preserve their culture in the purest form, which, in fact, is very similar to the tatar one. therefore, in fact . it immediately attracted me as soon as i saw the story. i realized that the whole texture is already ready, because there are languages, there are colors. there is patterns, there are, uh, landmarks and that's it. the rest with which you can work is your hero ivan, uh, this is the one with whom the viewer associates himself. but as a person who looks at all this with such eyes , he does not understand anything, he tries. understand, in general, he obviously loves it, but he cannot understand it. well, in g

the psychological ethno -thriller by ilshat rahimbay, dear, in which the people from russia viktor sukhorukovappear as a villager, whose ideal world begins to crumble when he meets a man who calls himself his son, i will show you a documentary andrey ananin's land of great opportunities about the life in siberia of a farmer from the usa will also premiere the series shaman rustam masafira with the star of the epic action drama heart of parma alexander kuznetsov in the title role. ivan kudryavtsev was with you and this is the next page of the diary of the forty- fourth moscow international film festival, the next eighth will be turned over tomorrow on the air of the russia 24 tv channel new discoveries new names new films. come to the cinema. the flame belongs to me woman. black and white grass along the road mariupol amputated words on the skeletons of dolphins and cows smoke, burned unspoken words. let liberty ring out in general calls mariupol city masha without a hand death killed marked a new path. what is culture? this chorus is one grandmother singing another. i, too, a grandmother, i t

see the psychological ethno -thriller by ilshat rakhimbay, dear, in which folk songs russian viktor sukhorukov appear as a villager whose ideal world begins to crumble when he meets a man who calls himself his son. action drama heart of parma by alexander kuznetsov in the title role. ivan kudryavtsev was with you and this is another page of the diary of the forty- fourth moscow international film festival tomorrow on the tv channel russia 24 new discoveries new names new films. come to the cinema. let's translate from clerical to understandable, everything is not so scary if there is an instruction. songs from the bottom of my heart good evening everyone so, not everyone has run yet. along the black-and-white grass road mariupol amputated the words on the skeletons of dolphins and cows in the smoke, burnt out not utterances of words. let freedom, excuse all calls, mariupol, the city of masha without a hand, death is killed, a new way for us to be mary is now not deceived. what is culture? this choir one grandmother sings another. i, too, a grandmother, i took and sang, how can i katyusha where

for filming the final prices was collected on crowdfunding on the platform of nikolai sokol viktor sukhorukovshot in the film with ivan dobronravov by ekaterina ageeva and varvara shmykova sukhorukov of course, simply gorgeous. in this role, the shooting took place in a small village near kazan. the characters of the film are kryashens, a small people of orthodox tatars, 100 years ago there were more than 100,000 of them. now the number of kryashnas has decreased four times. on the example of one different story, the author of the film talks about the problem of the disappearance of small peoples during the period of globalization, but we need to understand a little. that's what uh tatar, ilshat victor sukhorukov tatar tatar you ivan is not a tatar which of you is baptized, none of you, why then did you take up this topic, because, well, decorated this is a small people. this is the small people. they are active because of this actually. well, it preserves its language and its culture. they have their own society there, they are very active, they have their own holidays, and the most interest