here , their own world of mikhalkov konchalovskys has been created to this day.re they celebrate victories, heal wounds, find solitude so necessary for creativity. today there are two new at home, andron and nikita brothers together, both of them are their children and grandchildren, still one big family, but like an older younger brother. there is always some element of competition, maybe even jealousy, especially since both work in the same area of ​​brotherly relations. they exist even regardless of how much we differ in different points of view and differ in many ways, and yet we are already being compared. we are so different. hello welcome to the uk thank you hello mr holmes i recognize you. house on in the early fifties it was far from today’s nikolina mountain, rublyovka is near, moscow suburbs are small villages , modest summer cottages, poets, artists, scientists, and andron and nikita grew up here until they were 11 years old. nikita went to school in the neighboring village of aksinya. he has always lived since childhood, as he was born in the country

the first version was written when konchalovsky was married to an alibasar actress. and that's where this script began to be written, first, then he talks about her, natasha listen, he says. and what are you son and it doesn’t work about you about one, somehow here’s grief, it arises, and so on and so forth, the idea of ​​​​saving the harem seemed like a godsend, here, the main task of the new just government is to save women from the veil, and men from polygamy and everyone will have. a separate spouse is an excellent plot for a soviet adventure film, but when the script was essentially ready, the group lost its main director, and loudly philosophically went to moscow for the festival, the next one returned from there and said, guys, you know, you are wonderful writers on turgenev are better. but what do i shoot? eh, so they will say this picture, yes, konchalovsky made a good western, and turgenev is offering me a noble nest. don't be offended. i will part with you the dragon lost one head, but two remained ezhov ibragimbekov arrived in moscow with a ready-made scr

she then had an affair with konchalovsky no, it wasn’t at all everyone was in love with her, but at thew. she says it's not like that . as you now tell that you were really very much very much in love with you. that's how it is because of their suffering for the sailors. and zhenya apparently did not notice the attention from the other two beautiful girls. natalya seleznyovy. wow, and rita terekhova first regularly called on the phone, if not the situation talked to me for a long time unrequited love for mariani or some other event caused only once, it seems. it was the fourth course. the son said he never married an actress, but he didn’t show his mother, really. selezneva was in love with you. i don’t know, you need to ask her, but, but my mother could fantasize a lot, and with rita terekhova, i mean when i moved i was invited to work in the moscow city council theater from the lenin komsomol theater i moved, and rita, she came from the council theater to the studio this one in this theatre. and she somehow came up to me in the wardrobe and said, you don’t know a lot here new man, let

dmitry petrovich konchalovsky gave his first lecture and 1,390 students began their studies at threees, but the real ordeal for the university was its jubilee twentieth year, a solemn event to this date was not implemented. patriotic war non-stop bombing, the abolition of occupations and the occupation of the belarusian capital in june of the forty-second year, i draw your attention in june of the forty-second year. yes, our belarusian government is already making a decision to restore the work of the university, as the development of the university took place, the post-war period. is it all university after the advance passed rather difficult conditions, how the basic scientific structures were formed at the university, in general, the history of development, of course. e science at the university. it is in the history of the development of faculties, how the cultural and sports life of students developed outside the classroom. the highest classes, so to speak, e creative teams - this is the oldest team. choreographic oldest group. over the century-old history of the university, its

grigoriev, a documentary filmmaker, and many international film festivals, including them with andrey konchalovskyo does not lose heart received an award in 2020. ivan kudryavtsev was with you and the film industry program every day gives us new films and discoveries about the main ones, we will definitely tell you next time exactly in a week we will see you at the cinema. the rocket flew into the garden. it was just that the last drop was leaving, just taking it and writing so that it was in their hands to be able to bring a certain part of the people to the territory of the russian federation, and now here we are dealing with the further fate of these people, a huge number of refugees, their pain. i tried sublimate helping these people. so far, we have already helped over 7,000 people. thank you very much. i tell you all the time, thank you for what you do for people. thank you where once the russian flag is raised, it should not go down. preventive war against russia suicide for fear of death russia an icy desert where a dashing man walks russia is a mystery wrapped in a mystery and placed insi

a laureate of many international film festivals, including the moscow film festival and andrei konchalovsky who does not lose heart received an award in 2020 ivan kudryavtsev and the film industry program give us new films every day and we will definitely tell you about the main ones next time exactly in a week, see you at the cinema. 41 38 tulip yes, this is a power of 240 millimeters. these are the chechen guys who are engaged in the vostok battalion; if you are a warrior, then it makes no difference in the mountains that they work in the trenches with their shoulders and intellectuals, miners and tractor drivers are all people. i saw two mothers before leaving. one of the sons died the second in captivity, so we are all here. where once the russian flag is raised, it will not go down should. preventive war against russia suicide for fear of death russia an icy desert where a dashing man walks russia is a mystery wrapped in a mystery and placed inside a puzzle. the russians don't come across as warlike, but don't step on their feet. there are no experts on russia, only different levels of

very decision to start a career in cinema, by their own admission, is due to the fruit of andrey konchalovsky sergey solovyov, a play by viktor rozov, which was banned for 13 years. forever alive with the beginning of khrushchev. the thaw got a rebirth first on theater stage, and then the monks on the screen staged by mikhail kolotov. the soviet audience accepted the tape enthusiastically. but international success and getting into the cannes film festival. the director claude li puddle decided the case. during an excursion to mosfilm in 1956, i saw the work on a film by cameraman sergei urusevsky and immediately recommended the film for selection for the cannes film festival, in the same way that cinema stands apart in our camera business, like mayakovsky. on the train, his hand-held camera . ah. he uh and before him, of course, a hand-held camera was used as a technique, but in the way that no one did it, neither before nor after that. that’s probably that’s the expression of his nervous system, the artist, a student of rodchenko and favorsky, during the war, urusevsky was a front-line came

very decision to start a career in cinema, by their own admission, they owe claude lish andrey konchalovsky sergey solovyov forever alive first, he khrushchev's thaw and received a second birth, first on the stage, and then on the screen directed by mikhail kolotov. the soviet audience accepted the tape enthusiastic. but the international success of her getting to the cannes film festival. the director claude lilouch decided the case. during an excursion to mosfilm in 1956 , she saw the work on a film by cameraman sergei urusevsky and immediately recommended the film for selection for a film festival. in cannes, in the same way, cinema in our camera work stands apart, like mayakovsky in poetry, his hand-held camera, and before him, of course, was used. a manual camera, like a technique, here, since no one did it, not before not after it is absolutely, then is, an expression of his his nervous system. the artist , a student of rodchenko and favorsky, was a front-line operator during the war years. he took it to a new level. not only working with a handheld camera, but also to a large extent

grigoriev, winner of many international film festivals, including the mff, his project with andrei konchalovskys not lose heart received an award in 2020. ivan kudryavtsev was with you and the film industry program every day gives us new films and the discovery of the main ones we will tell i'll definitely see you at the cinema next time exactly in a week. my birthday was september 25th. and then the day when we had the final turnout and everyone went, i say, 2 million. a person gave me a gift. finally, we are returning home in combat conditions under the enemy about him, together with russia, that there will be a referendum, people directly asked several times awareness in my head was not lost. why do you think you're from donetsk? here they are russian years. what is russia is calm? this is the world. this is well-being. there is a desire for life. now we we all know who will be tomorrow, we understand that we are protected by us, it doesn’t matter if we are people who are needed by someone. where once the russian flag is raised, it should not go down. preventive war against russia suicide fo

khaikin, the first lecture was given to students dmitry petrovich konchalovsky professor mysist historianory between the earth sea in the era of roman domination empire, and everything went off from the first of november. there is no, the fact of the lecture went on, so this is the beginning. this is exactly the story that should be from november 1, 1921. regular classes began for 1,390 students. in all faculties. bsu employed 14 professors and 49 teachers in february 1925, the university graduated the first young professionals, 34 economists and 26 lawyers, and in october 1927. a postgraduate course was opened at bsu in the fall of the same year , construction of a university began in the center of minsk. gorodok in 1931 colleagues the people's commissariat of the bssr adopted a resolution on the creation of five independent institutions on the basis of the belarusian state university. minsk medical institute, higher pedagogical institute institute of national economy. belarusian polytechnic institute minsk law institute, if we take a look at the 20-30 years of the last century, we will

decision to start a career in cinema, by their own admission, owes the fruit of lilush, andrey konchalovskyi solovyov , a play by viktor rozov, banned for 13 years . forever alive with the beginning of khrushchev. thaw received a second birth, first on the stage, and then enaki on the screen directed by mikhail kolotov. the soviet audience accepted the tape enthusiastically. but international success and getting into the cannes film festival. the director claude puddles decided the case. during an excursion to mosfilm in 1956 , i saw work on a film by cameraman sergei urusevsky and immediately recommended the film for selection for the film festival. in cannes, in the same way, cinema stands apart in our camera work, just like mayakovsky. on the train, his hand-held camera. uh, he, uh, and before him, of course, a hand-held camera was used as a technique, but no one did it the way he did, neither before nor after it is absolutely an expression of his nervous system, an artist student of rodchenko and favorsky during the war years urusevsky was a front-line operator. he took it to a new leve

and, of course, add lilacs on porcelain plates and in the reproduction of the painting by pyotr konchalovskylacs from the bride and a string of pearls . so the bride's exit to the finished interior. i like ilya, you come here and this space envelops you with some kind of tenderness and refinement. i will remind you friends. we were inspired by the color type of our heroine. we have created just such an interior in which anna will look chic. this is great for her. nice background that won't overpower her. look at her porcelain skin. yes, such a pinkish coldish. we have lilac here. look at the image that we have. yes, such are the watercolor reproductions. there is such a pale pink whitish lilac. she has such gray-blue eyes. even here in this fabric, from which our pillows are sewn gray. we have people on the lampshades, on the lamps. with such an appearance, they will look very advantageous in such an interior. i love the attention to detail here. very detailed, i want our heroes to get great pleasure from every thing. yes, very nice pillows. it's not just a pillow. although this is a modern

course, we will add lilacs on porcelain plates and in the reproduction of the painting by pyotr konchalovskya bouquet of fragrant lilacs from the bride and a string of pearls. and more lilac, it blossomed on a pillow and a gentle tea pair. so , when the bride enters the finished interior, you enter here or this space envelops with some kind of tenderness of sophistication. i will remind you friends. we were inspired by the colors, the type of our heroine. we have created just such an interior in which anna will be look chic. this is for her. cool beautiful background that does not interrupt her. look, she has such porcelain skin, yes, such a pinkish-coldish one. we have lilac here. look at the image that we have. yes, there is such a reproduction of watercolor there is such a pale pink whitish lilac. she has such gray-blue eyes. even here in this fabric, with which our pillows are sewn gray. we have people on the lampshades, on the lamps. with such an appearance, they will look very advantageous in such interior. i like the attention to detail here, i want our heroes to get great pleasure fr

see and feel certainly the center of attraction is one of the many serial impressionist pyotr konchalovsky different parts of the world until collector valery dudakov. after a long search, ne collected the canvas into a single neat seam and completed the work. i love these small displays. ah, no one is assimilated, that is, it passed. i received information. something i could remember for myself the intimacy of this exhibition is deceptively the exposition enters into a dialogue with visitors, offers to evaluate the rich palette of artistic ideas at the beginning of the 20th century and choose. which of these ideas is close to you - the festive embankment of the volga by kustodiev or the chernomorsk coast of nuremberg and in the process of such a pleasant conversation with art, not a single hour passes unnoticed. in a few minutes. here's what's in the program. military registration and enlistment offices connect errors to online work.