write a kind of emotional diary the artist is a member and a good friend of the belarusian union of artists, which provides constant support to both novice belarusian artists and eminent masters in the field of fine arts. andrey vladimirovich good afternoon andrey karpenkov modern the belarusian artist is a member and a good friend of the union of artists, so that's what he was like when your union just came, and what he is now any young artist who wants to become a member of the belarusian union of artists has to do with his baggage, which he considers the most important and most uh, already significant for art. this is with a diploma from the academy of arts. uh, so andrey came with this diploma. but it was a completely different artist who began to look for himself immediately after the arrival of his artists to develop creatively . to look for his own signature style of the film of his work, the master chose abstract expressionism. so. what were the distinctive features inherent in this direction in style, as the execution of these works. this is approximately close to abstract pensioni

by the district museum complex; the third hall introduces the iconic figure of the woods belarusian union of artistsyanka romanovich in the fourth hall presented a thematic exhibition - an exposition of memory burned by the war, dedicated to the genocide of the belarusian people during the great patriotic war. the fifth exhibition hall is now hosting a personal exhibition of the belarusian artist born. ivanovsky district anatoly morozyuk olga georgievna good afternoon, dobry in the village of vorotsevichi keep the memory of the famous fellow countryman, we are located in the district museum complex named after napoleon orda, it includes a museum an art gallery and a recently restored manor. let's take a closer look at the art gallery, and each hall is unique in its own way. this is the highlight of each of the halls of the picture gallery, generally founded in 2006. this is one of the first establishments to open. here we are in the art gallery named after napoleon orda well, the highlight, of course, lies in each of our halls. each room has its own heat, some calories. the most important thing. and

the music school conducted the fish, then the belarusian state conservatory in the class of viktor vladimirovich, exactly the people's artist of the soviet unionmous arm master. here then she began to wind me around foreign cities, uh, in this group and vocal purity, the voice from folklore groups. i b-, uh, the people had their own army organized it. well, practically yes, there were people singing, but they made such a mixed folk horror. and he brought them to the title of the people he received. yes, that is, the people's forum worked. i, uh, was a teacher, few people know me, and in the theater khristofor performed as a paratrooper in his time. i was at the origins, yes, this is the very thing of this theater. we always ask ourselves when a creative person comes to creativity on his own or something from his family pushes him. who would be in childhood, with the very example that, as you say, you definitely came from artistic activity, because without this person, mom and dad people danced, dad didn’t dance, and mom sang and now anna vasilievna semyonova sings with pleasure and she is the strictest judge and she gives me some opinions, she

like what premieres went crazy the soviet union, no belarusian film of such a record stopped art for all the best screenwriters the best cameramen the best artists nikolai petrovich considers games. who remained behind the scenes and why the relatives of idols are still shuddering from horrors, see all the secrets of belarusian hollywood right now. muscovites and leningraders plunged into the process, allocating pavilions to belarusian colleagues only in the third shift, they worked mainly at night, however, after 11 years the film studio will move to belarus; its first buildings are still preserved on the territory of the motorbike plant. thirties. the heyday of silent cinema tarich repeated its success this time full of halls gathered his picture. see you tomorrow, and the seekers of happiness, khorsh sablin, are still reviewing these years with special pleasure. he was just approaching the development of national themes . while yuri darych laid the foundations for just the development of emotional mentality. here in screen art, the thirties were comedy there the bear is famous, of course, the comedy, my frog, which came out in the pre-war for

premieres the soviet union went crazy not a single belarusian the film of such a record is no longer stopped art for all the best screenwriters the best cameramen the best artistsand roles for a select few of heaven plays. who remained behind the scenes. still shuddering from the horror of russian hollywood, see right now. muscovites and leningraders went headlong into the process, allocating pavilions to belarusian colleagues only in the third shift, they worked mainly at night, however, after 11 years the film studio would move to belarus, its first building is still preserved on the territory of the motorbike plant. thirties. the heyday of silent cinema, tarich repeated its success this time, full houses were collected by his picture. until tomorrow, and the seekers of happiness, khorsh sablin, even today film gourmets are reviewing these years with special pleasure. he was just approaching the development of national themes . while yuri darych laid the foundations for just the development of emotional mentality. here in economic art, the thirties, there were comedies there. the famous bear, of course, is a comedy, my frog, which came out in the pre-war fort

union even ordered us to live nikolai kuzmich artist jeweler honored art worker of the republic of belarus , author of the recreated cross with euphrosyne stripes. by the way, a little hackneyed, few visiting belarusiansate euphrosyne, stripes quickly clear and understandable in six months. well, unfortunately, half a year passed as much as 5 years, and back in the 1950s, the photo archives of the leningrad branch of the institute of archeology. photo negatives of the euphrosyne cross on glass were found, made in 1896 in polotsk by the photographer of the imperial archaeological commission chistyakov. this helped to thoroughly and in detail study all its fragments and found the negatives of crystal plants. polotsk in full size. somewhere around 18 or 20 negatives are large such areas and photos were kindly provided quickly and clearly. directly from under the machine printed. i took black and white pictures. this work, well, that was the beginning, in order to recreate the cross, the master had to master the unique and complex technique of ancient byzantine cloisonné enamel. it was completely lost and the master had to comprehend it on his own with the help of archives and photographs, we did not succ