mikhail golubovich grafchapsky, who then owned the easel, bought the project of the famous architect konstantintonst the savior in moscow and the kremlin palace in belarus, this is the only temple of the famous architect. it was almost completely destroyed restoration work began in 2007 . this photo was taken by jan dodzkiewicz in 1914. this is how the temple was killed by christ as well and survived. and this is the main one. here is the church already a photo of 2007, the temple as it was before the destruction was completely restored even to the last one. there were here, uh, those materials were used, those technologies that were in the nineteenth century, that is, uh, no cement. this is all done with master's lime . here it was guessed at barrels. eh, they kneaded the brick mortar, they ordered a special order in the shoes of the vitebsk region, not baked dry-pressed brick, so that, like him, he kept it in the walls even put everything, or not on all the plastic and facades of the interiors. all this completely repeats the historical appearance, the temple for a long time had a question about

konstantinton, the author of the cathedral of christ the savior in moscow and the kremlin palace in belarusple of the famous architect. it was almost completely destroyed and restoration work began in 2007. this photograph was taken by jan must kievich in 1914. this is how the temple was also preserved. and this is the main entrance of the church is already a photograph of 2007, the temple is so as it was before destruction. it has been fully restored even before the last crisis. here, too, the materials used were those technologies that were in the 19th century, that is, no cement. it was all done with sandy mortar and purchased in krasnoye selo krasnoye selo lime. here it was painted over in barrels. uh, they kneaded the brick mortar, they ordered a special order in the shoes of the vitebsk region, not baked dry-pressed brick, so that they could even rely on it as it was kept in the walls. all lip-not on all plastic and facades and interiors. all this completely repeats the historical appearance of the temple for a long time there was a question about the color of the roof and the stop, t