come on, how would anyone that grigory solovyov , soloist of the moscow helikon opera theater my god,ice, whoever you are with a baton bass, baton, how do you like the performance of azalea why don't you got up? and i do not sit down, sitting, say, you so when you get up, everyone is already worried, understand? understood? well, firstly, this, despite the fact that this composition is very famous. it's not to my taste. it's too easy for harmony from a purely vocal point of view, i would like more volume in the voice , more positions of inhalation than direct exhalation. and although the voice of powerful energy is incendiary, but purely vocally i want more of this coverage, if you can walk together. uh, they'll let you through everywhere. though those run up bubble, look good. well, what will klava say well, it seems to me that you just wanted everything, damn it, somewhere you tried to dance. there , a little to do with the breath was a little neuritis. but it's, well, it's still kind of catchy. it seems to me that if you comb it correctly, then there is great potential, so my vote

deign to rest after a triumphant tour in germany you will have frost, don't worry, the moscow musical theater helikon-operas leading soloists sing not only at home, but wherever the public can listen and hear in the biography of alexei tikhomirov there is no theater in the world where his foot of the forty-seventh size would not go. lord, just new moscow with high-rise new buildings here in a classic three-ruble note with aleksey tikhomirov lives by his wife and daughter, by star standards, modest housing, without velvet armchairs of italian marble and bohemian crystal, well, all this stuff, aleksey has enough at work. my mother is a musician, my father, my kingdom of heaven is a director. eh, the director and i took, just the same profession from the family of music and theater, and it turned out to be a musical theater opera, everyone starts their childhood from different sections, someone draws, someone draws there, someone goes to a music school, but then this one labor which he cannot be. very simple, because we so often take on different things and leave them, as if they were working out. and i’m fin