she's good, she sang, oddly enough, it ’s all there from the first take of rybnikov, we don’t need to and forth on the radio. it’s interesting if such musicality is transmitted, it turns out through the female line. you always think, and women's fates are transmitted somewhere they are coded. you know about destiny. i lived with my husband the kingdom of heaven for almost 39 years. well, i won't say. it’s bad, probably, that we didn’t live very well. in general, all this is not so, and olya has been living with her husband for almost 35 years, they are both musicians. after 6 years, because for 6 years my mother took care of her, because i was on tour all the time all the time, how you and olya got along when she entered her teens, when rebellion is not obedience. and besides, it’s also famous and, so to speak, to be very good in every way. and you are from the category of shouting or 100 times persuading the category that you should give pretzels properly once, yes, than persuading all your life is useless, and it has never happened to you in your life. nobody laid a finger on me. an

she did well, she sang, oddly enough, it 's all there from the first take of rybnikov, we don't neede. that's how it is rushed back and forth on the radio. it’s interesting if such musicality is transmitted, it turns out through the female line. you always think, and women's fates are transmitted somewhere they are coded. you know about destiny. i reigned as my spouse heavenly erupted for almost 39 years. well, i won't say. it's bad, probably, that we didn't live very well. in general, all this is not so, and olya has been living with her husband for almost 35 years, they are both musicians. you also have a grandson. nikita faces her 33 to him. yes, he himself is in no way, i say, let's, grandma's baby doll, while grandma walks, and he is married, of course, 6 years old, he is married and everything is as it should be. here, so that i can still enjoy my walking childhood, i managed to enjoy it, however, i managed already after 6 years , because my mother took care of her for six years, because i was on tour all the time all the time, how you salt and got along when she entered adoles

several new bright dots on the radar of the chicago film industry nikolai rybnikov's feature-length debutrepublic of khakassia, tells the story of friends from the fictional city of chigarinsk , the fate of each of them has developed in different ways. he is the first who is seriously interested in music and dreams of leaving with his girlfriend for moscow . the second drug control officer, the third , works for a local crime boss, and the fourth has become addicted to illegal substances. each of the main storylines. the director skillfully reveals throughout the film, raising problems moral choice of the dialogue of generations and an ambiguous path. to success. there is a bag you need to throw a taste. if you make the hut senson. take the critics high. they evaluated the scenario of the crime drama, calling it socially significant, they were joined by psychiatric experts. he recognized the film chicago as preventive material for working with young people on the set of the debutants united. eldar safikanov and semyon alyoshin and experienced actors yuri kuznetsov igor zhikin ivan kokorin

the third octave was, it was lyosha, he wrote everything an octave lower, then he went down alexey rybnikovthe editing room, and the sound director is very famous very famous director yura bogdanov says, mother climb to the top. i say, fie question sometimes we gave more up there the third octave again reported on itself four times. now you can do whatever you want with the equipment, but before that you wanted to record four voices. you know, you write down one, then the second, then the third, then the fourth. and me four times. now i imposed and he comes. we say lyosha listen, please turn it on, it will go. well, it will go, it will go and it will go.

there is only one song left by alexei rybnikov . i am quite clear that all of our uh children 's space travel was initiated by the new minister of cinematography, philip timofeevich yermash, who was appointed in 1972 with the goal of returning uh, soviet cinematography to the profitability of the sixties. uh, the fact is that at that moment, when uh all the children are baby, boom, in the sixties. uh, grown up rushed to the cinema halls. the profit from each picture was absolutely incredible in terms of the degree of profitability of cinema. ranked third after the sale of alcohol and tobacco, and all the leaders of our city's film production they said that our teachers and our doctors live at the expense of cinema, and in the seventies, due to the decline in post-war birth rates , incomes began to fall and, uh, before yermash, they just set the task. uh, return the system and the rate of profitability, but he did not find anything else than the classic scheme of the renaissance of genre cinema, and given that in the future his son,