here is shmotrozov's crushing of the parapet and some- thing shouting at the verse budynka.r fringe curved line cornice style inspired by this palace uh, trochs falling out of context. it 's non-frilled. if anything, the baroque era is the sixteenth, seventeenth, eighteenth stage and a share of vice. his rococo was reborn. and i of them blossomed about the fashion passed the string bag of the stomach is the twentieth year. sixth telement - this is sawing. i seem to be investigators, here the mouse lynxes of the french baroque behind the saxon elements. e fortifications of this palace are not one and a half witches' hallways. e, zo-e, with a mansard laman dakh, they are corrected by the yaks, like called lucans. is not small round-shaped agencies, which were on the floor, decorative on the floor, various for lightening by bags, and away the hallway, embittered with garlands, er, pink stucco elements. which accompaniments show more of the architecture of the thief flared up in murmuring contrast, nor the jakarism of svyatopolk chetvertinsky so most characteristic of the larynx

here is the crushing of the parapet for them with shmotrozov and what a cornis line, calling out from of the bottle pyroburly curved line of the cornis, steely as it were, prompted by this palace, troch, falling out of context. this neo-oborocco fell out to visit that the baroque era is the sixteenth, seventeenth, eighteenth century and, uh, a share of vice, it was reborn rococo. and i, as if the fashion had blossomed out of them, and the elk is already a duck on the shaky twentieth year, evil begins. elements - this is a shoot. it seems to me that here we are the towers of the french baroque trotting behind the saxon elements. e fortifications. himself to this palace is not one and a half velma. pretty uh, zoe, attic laman daha yak vykorystyvatsya, like called lukans. these are not the little round-shaped agencies that were decorative on the floor ; elements. which accompaniments from the architecture show more, the boletus blew up into murmurs, contrasting with the lack of rajas at the svyatopolk chetvertinsky palacy , the larynx from classicism income and skill to romanesque wire i