and where does the personal zelenogradsky begin, you understand the repertoire. it was fiction writing to this day, probably not. but now you hid behind a folk song, right? why? well, something like that, 199. greek, well then, let's talk to them. where are you friend from? well, alice and i can hear the gnesinsky fairy. yeah, hippolitova, ivanovo but only we are academics, yes, comrades of the academician, we are not narodniks. tell us, please, teapot, and what is the difference between an academician and a populist, or sings with an academic voice? well, you're written. well, it's mostly classical music. these are certain manners of performance, staging. this is a bore, and the populist listens to him, yes, but, for example, another moment. eroticism academicism necessarily implies anti-eroticism on the don, for example, god forbid , some cossack ensemble will come and start ours with materkom, otherwise after god, as if there were no songs, no cossacks in the world, but only professors. i don't hate you. and look how you are in a folk song. see for example. he