and this poem by boris pasternak is a thunderstorm, instantaneous for a century, pretending to be a simple will say two things, but firstly, i will still read this poem. according to a book close to your heart, because this is a venerable poet's library. uh series, second edition in blue, this book came out in sixty-fifth. i check myself. yes, it was in the sixty-fifth year, and most importantly, that its compiler and author of the article. e hmm and andrew data accrual is absolutely such a classic edition. and why you are close to your heart, our dear interlocutors will learn from the second part of our program. although they accepted it, he said that he was a child. thaw yes, this says a lot. well, the second thing i pretend. ah, my simple analysis. uh, that's what uh, here hmm everything is complicated and this poem can be said. so it will be a rose of mercury a dinner of lilacs at this time he has picked up an armful from the field and trafina for these houses, as if prose, that is, the sentence flows from one line. in another they can be read in poetic rhythm. and you can read and mer

of the mind, where it is now as bright as day, what happens at the end, and in another place boris pasternakays that a work of art. whatever they are , they always talk about the moment of their birth. this is a very subtle remark it has right. the attitude to what pasternak gives us in poetry, because this poem is not about how lightnings grab familiar pictures from the night, but about how one is born, this is the most a poem before our eyes, and at the end we see an amazing insight when a wave of gloating overflowed the roof of the building. and as charcoal in the drawing means, charcoal pencil, of course. e, the downpour struck everyone. why do we weave? because the jets are parallel, as if branches intertwined in a wattle fence, and the collapse of consciousness began to brighten. and it seemed to light up. even those corners of reason. where now it is as bright as day, not a thing to illuminate those parts of consciousness where it is dark, this is not the most, the main thing is not the most. the main thing is to take pictures out of the darkness. most the main thing is to understand

place served as an attraction for marina tsvetaeva konstantin paustovsky maximilian voloshin boris pasternakst 50 years, the garden fell into disrepair and was closed to the public. and now, today, it is experiencing its renaissance, returning its true purpose to the image of the ideal world of hard work and the quiet happiness of manor evenings. away from the bustle. i always panic when someone calls me. travel agencies say we will have two buses. i say we can't accept you, but then we figured out how to work with a large number of tourists. that is, for example, if 30 people come, we divide them in half, and we have two guides, one guide walks through the garden with a group of 15 people, and the second guide already enters the house, then they change, but we really want to remain such a small capsule chamber museum, so as not to really lose this atmosphere. new areas of tourism in kaluga are military historical and, above all, the topic of standing on on the ugra river, hostilities in 1480 between the khan of the great horde and akhmat and the great moscow prince ivan, in alliance with th

around the kremlin and received as a gift a passive edition of the first collection of poems by boris pasternaktino a big fan of the russian poet during his previous trip to russia in 2004, the director visited the grave pasternak in the alteration quentin sat for half an hour in the pouring rain, he was the tombstone of his favorite poet and, in parting, picked a camomile once upon a time in hollywood became tarantino's ninth film. he always said that he wanted to shoot 10. so there was only one left according to quentin this will be a super picture that should complete his directorial story, the script for the tape under the working title of the movie, the critic has already been written and filming should begin in the fall. however, tarantino does not exclude that at 75. suddenly he wants to make another movie, as he put it in this case, everything they will understand that the old quintin wanted to please the neighbors in the nursing home and will not put this movie on the same shelf with the top ten, slowing down with filming, tarantino could finally plunge into family life. he went single

poem is absolutely, amazing, not always e reader enchanted by this beautiful complexity, and boris pasternak gets to the end with a beautiful obscurity, an instant thunderstorm for a century. and then forgive