you have been collaborating with the beltele orchestra of the radio company for several years, maybeojects that you remember with particular warmth. let me correct you, please. in fact. it's not a few years. and 10 or even eleven. and in general, i am grateful to this team for the fact that they i was given such a school for a young fighter, because i came there at the beginning as a violinist and then gradually entered the operatic theophonic conducting and became at the beginning an assistant, and then a second conductor. and as i said, this is the most serious, the very first performance at the philharmonic with a symphony orchestra. it was precisely a performance with a symphony orchestra to do a radio company. the work of alina bezenson we build a swan, the chorus was very serious, by the way, there, in my opinion, some vocalists were also added to this strategim of the swan there are no such people. yes, there were, of course, this is all a very seriously beautiful work, but what kind of orchestra did you believe tv and radio companies today are some kind of symphonic works. an