well , you didn't say yet at the hotel nikolai nikolaevich kolya said, so i'm grisha off.for a drink. come on, this state will sort it out. they are without us. this is how we argue. all of us, at least you didn’t even understand what i’m doing there? at least you listened. head of the door one notebook people would not be in a hurry. until morning will you have dinner? i am working. write out at least sign up nikolai nikolaevich i'm working. or maybe he has something useful there and you would write there for a couple, otherwise he would read to you, and you will hang it up and listen, and i would listen. last summer, at the theater, i saw how one woman entangled a peasant. she pretended to faint, and he ran in and got busy, and he lies down, which he just did not do to her and squirted and shook her, and then she would pull him in. he got stuck and got married, otherwise how attracted nadezhda love and their mother sophia when when in the fall, and we are their wednesday? he is everything still not like that, and we will sit down with a plane tree and take it for courage

well, you didn’t say yet at the hotel nikolai nikolaevich kolya said, that means i’m grisha well, letve a drink, but come on, this state will be sorted out for them without us. this is how we argue. all of us, at least you didn’t even understand what i’m doing there, you would listen. head door one notebook how much is all mine? wouldn't make people laugh. and then he was hanging noodles on the ears of one military man until the morning. we are not in the village. have supper nikolai nikolayevich, you will be . last summer i saw him at the theater. she fainted. he got stuck and got married. and how was it attracted? lord, how attractive. oh, when i remember, i'll shudder. listen, your sick pulls. when is your name day vera nadezhda lyubov and their mother sophia when when in the fall and we celebrate their wednesday, why? how why we begin to accept for courage. i seem to leave, and you fall, where to fall? where to faint. and how will i fall? lord, fall down and lay flat. and i 'll be right here for the cat. and then what, more he will come running to you. you really don't yawn here,

me. this is a participant in my new film , along with him, nikolai nikolaevich eremenko people's artist of the soviet union i tell him, kolyayou had the volga. he says, yes, here i am, how did the deputy achieve there , how did the people's artist achieve that i had the volga well, you know, it was prestigious, i say , well, what, but he says, she often broke down and ate a lot of gasoline. here zhigul is a good good machine. okay, so i thought to go. we needed to go back. we will sit there with the operator with the driver. i say, kohl come on, let the operator sit down with us, too, we will go in your car. he says okay. our company car was left on the square jacob kolas operator behind. we are going with him , we are going, where are we going, we are going, but to the private sector. on the street named after korzh sablin, we drive up to the house, on which there is a private one-story house, on which there is a memorial plaque here there some post-war years there forty-four there some fiftieth. there lived a people's artist in the church, director vladimir vladimirovich nikolai nikolayevich attaches them to this memorial

hello. this is a participant in my new film, along with him , nikolai nikolaevich eremenko, people's artist of the soviet union . i tell him, kolya he says, yes, here i am, how the deputy sought there , how the people's artist sought to have the volga. well, you know, it was prestigious, i say, well, what he says, she often broke down and ate a lot of gasoline. here is a zhigul - this is a good good machine. okay, so i thought to go. we needed to go back. we will sit there with the operator with the driver. i say kohl come on, let the operator sit down with us already. we will drive in your car. he says okay. our company car was left behind in the voice operator area. we are going with him, we are going, where are we going, we are going, but to the private sector. on the street named after korzh sablin, we drive up to the house, on which there is a private one-story house, on which there is a memorial plaque here and there some post-war years, there 44, there some fiftieth. the people's artist of the church director vladimir vladimirovich nikolai nikolayevich lived there with flowers, attaches them to this memorial plaque. that i