so, i've spoken in the past to greg doran at the rsc, i've spoken to actors like rupert everett.otion of authenticity and lived experience when it comes to casting, ie you don't have to be gay to play the part of a gay person onstage. i wonder whether you share that feeling or whether you think authenticity requires that sort of thing. i think it depends on the play, it depends on the artist and it depends on the audience. as far as i'm concerned, when you walk into a theatre, you hang your literal boots up at the door, which for me means that most people should have access to most things. there are protected characteristics in which, if i'm going to cast a white actor to play a black character as written, i will think about the history of discrimination, i will think about how my audience might respond to it and if, ultimately, it will serve the play. in a similar way, if i had a black actor in a part that might be traditionally from another culture and if it gets in the way of the play, then i won't do it. i'm there to serve the art. but what i also have to do is understand tha

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