we were well acquainted with vladyka philaret.ppened in the nineties, when we were deputies of the supreme council of the twelfth convocation, and uh, here we met violet saldeyka. we cooperated in many areas. and when i did diplomatic service. e, returned, er, so vladyka filaret invited me to the republic of belarus and turned to me with a request that, given my previous experience in the restoration of objects of the history of cultures, heritage, the republic of belarus, i would take on the mission to assist and assist in the restoration of this unique object. yes, here complex work has been carried out for 4 years, and today how much the temple has changed, it means that, first of all, with its state of historical mural work, very important specialists from our republic of belarus and also from the russian federation worked here, and we were able to, and here is the original appearance that was founded by the project of the architect minsky struev. it means to recreate in that state, which we do not see today. and you know, for

we were well acquainted with vladyka philaret.the nineties, when we were deputies of the supreme council of the twelfth convocation, and uh, that's saldykovo violet met. we cooperated in many areas. and when i did diplomatic service. e, returned e, so vladyka filaret invited me to the republic of belarus and turned to me with a request that, given my previous experience in the restoration of objects of the history of the cultural heritage of the republic of belarus, i would take on the mission to assist and assist in the restoration of this unique object for for 4 years , complex work has been carried out, and today how much the temple has been transformed, which means that, first of all, with its state of historical painting, very important specialists from our republic of belarus and also from the russian federation worked here, and we were able to, and here is the original appearance that was laid down by the project of the architect minsky struev. it means to recreate in that state, which we do not see today. and you know, for

we were good familiar with vladyka philaret.n the nineties, when we were deputies of the supreme council of the twelfth convocation, and uh, we got acquainted with saldykov's violet. we cooperated in many areas. and when i did diplomatic service. e, returned, er, so vladyka filaret invited me to the republic of belarus and turned to me with a request that, given my previous experience in the restoration of objects of the history of cultural heritage of the republic of belarus, i would take on the mission to assist and assist in the restoration of this unique object. yes, for 4 years complex work has been carried out, and today how much the temple has changed, it means that, first of all , with its state of historical painting, they worked very well here, iconic specialists from our republic of belarus and also from the russian federation, and we were able to, but that initial appearance , which was laid by the project of the architect minsky struev. it means to recreate in that state, which we do not see today. and you know, for

we were well acquainted with vladyka philaret.nineties, when we were deputies of the supreme council of the twelfth convocation and, well, we got acquainted with saldy's violet. we cooperated in many areas. and when i did diplomatic service. e , returned, e, reprimanded the republic of belarus vladyka filaret invited and turned to me with a request that, given my previous experience in the restoration of objects of the history of cultures, heritage, the republic of belarus, i took on the mission to assist and assist in the restoration of this unique object for 4 years, complex work has been carried out, and you today of our republic of belarus and also from the russian federation and we were able to, and here is the original appearance, which was laid down by the project of the architect minsky struev. it means to recreate in that state, which we do not see today, and you you know, this is a question that often comes up for me. and what gives me today communication with the orthodox church and what lessons i took for myself, of co

cooperated very closely with each other there, but i got a good symbiosis of relations with vladyka philaret, which was also compiled by the supreme neighbors of the twelfth convocation. and we, uh, had good relations when he visited the area where he worked as a leader and uh for a long time. for thirty years, these contacts have been maintained. i accompanied vladyka. some trips, but abroad in particular near the lithuanian republic, where i worked according to the words, and the kaliningrad region. and i want to say that these are the meetings and conversations that we had. they gave a lot, first of all, to the philosophical understanding of life, understanding and in the combination of the state and the church. eh, understanding. what is the faith of a person in his e, this is the future and you know, i found tremendous satisfaction in this, since with vladyka philare. there was his entourage clergy. and so each communication gave a lot for this time. among the priests there were many participants in the great patriotic war, which went through the front roads and preserved, but faith in

yes, vladyka philaret's emitter on the sea, where vladyka of the 20th century served.his meter salty. we have it in the rest of the position, so here is an example, take the sadyka filarety, which he presented to the museum with a work that belonged to him. yes, as they say, a landmark city. it can be said at one time that you graduated from the vitebsk art graph, from where the biography of many others actually began. other artists today. among them is the elisitz mark yes. then kazimir malevich scattered suprematist confetti around the city, but in your work you did not pick up the revolutionary idea of ​​the promoters of the new art. you have your own philosophy, your idols. well, you know repeat your own. eh, it means that somehow there are no idols very good. you have to find your way in art. yes, you really see, for me it is called belarusian paris; for me, the city of my student youth is this one really couple only there aura is a walker. malevich flies the city is really saturated with this art, even today it is felt. i'm happy that that's where i studied and o

and then the patriarch turns to the philaret with a request to leave his post and allow the autonomous church and the pescopath to choose a new head in yourself. vladykahould enter this situation. this is a very serious controversy. don't threaten inside split. what makes a person resist a stupid door no, despite the fact that part of the delegation that was at the cathedral that day warned the patriarch. what will filaret deceive? listen, the ukrainian bishops approached me, they said he would deceive me. and during the meeting i told him i was told that you would be deceived. he says, i give you the bishop's word. i say you give it to me. you tell the whole cathedral, and he stood up and said, we still must not forget about our word said in the gospel. let you have yes, yes no, no. about what i ask, how to take from me these powers of the right of the primate of the ukrainian orthodox church and elect a new primate to this place. but if this is so, how can you return to kiev and give such a press conference on april 14, 1992 as a result. a press conference was held at which metropolitan filaret announced and i passed dolgov such a council was the fi