uh, the armenian jazz vine, the one mentioned above , gave me my malkhash. rmenian soviet jazz gentlemen what musicians were on this earth and rhythm is in their blood? this is 75 years of this jazz. these are not toys. the main thing under the soviet union was that it was possible for everyone, but not for armenians, so orbels are allowed - this is the last name in gold that should be on the pediment of domestic jazz. and i’m also inspired by tigran masyan, he’s a famous pianist, uh, who plays in the ethnic style and teaches at the berkeley school, and we’re inspired by this uh, wonderful artist. listen, now let me play karachan, he will be offended, because we said nothing about other pianists about him, he is a real philosopher, so he passes everything through his very rich spiritual prism, so now he will fully manifest himself in this composition. this is a terrible wastefulness, because now there is a war, we won, not yet. and i didn’t even know, i’ll be glad if there’s a place for me here, this monster place, to breathe in the children. i need a friend,

eh, the armenian jazz vine is mentioned here. uh, malkhash gave it to me. nteresting selection of 75 years of armenian soviet jazz gentlemen what musicians were on this earth and is rhythm in their blood? this is 75 years of this jazz. these are not the main toys under the soviet union, but it was possible for everyone, not for armenians. maybe that’s why the name should be in gold on the pediment of russian jazz. and i’m also inspired by the tigranes, a famous pianist who plays in the ethnic style and teaches at the berkeley school, and we are inspired by this wonderful artist. listen, now they’ll let karapetyan play for me, he’ll be offended because we’re talking about other pianists about him nothing, he is a real philosopher, so he passes everything through his very rich spiritual prism, so now he will fully manifest himself in this composition. oh well, listen, this is the vanguard drummer finishing the composition. now everyone there , you always heard something familiar in the southern restaurant in this song, in particular the serunzhans. this beauty

successfully left the first year, of course, dear friends, it’s a pleasure to see how the armenian vine of jazzld that should be on the pediment of domestic jazz, and i am also inspired by tigran asyan, this is a famous pianist who plays in the ethno-jazz style and teaches at the beckley school, and we are inspired by this artist and beauty. listen, if we don’t give karapetyan now play, he will be offended, because we are talking about other pianists, but nothing about him , he is a real philosopher, so he passes everything through his very rich spiritual prism, so now he will fully express himself in this compiment, dear friends. information ռրու բալայի է, նայվածքը սիրուն աղջիկ գլխիս դարդ ու բալայե, եղնիկի պե ս bed ի պես ծուռ մի աշ, սիրուն ': լավ կսազե, հագածդ նուրբ թա, խելքս գլխիցս հանել է, քեզ հետ ասել, խոսելը, եւ ծավ է, եւ մուրազ է, եղնիկի պես, ծուռ ִի աշե , սիրուն ջան, ջահել սիրտս դու մի մաշե, սիրուն ջան, եղնիկի պես ծո ւռ մի աշէ, սիրուն ջան, ջահել սիրտս, դու միմ oh, well, listen, this is the avant-garde drummers to finish the composition, now everyone who always goes to southern restaurant