when the citro film begins, we see the story about the trial of joan of arc at this moment the cameratrue middle ages. and this is the truth of the filming , they show us how film production works. yes, that is, as if this sudden transition from azerbaijan to another is made to protect the camera work, but in fact completely changes the understanding of what kind of film we are watching and this happens very often throughout the film. we are suddenly transported out of the council. in fact, in the middle ages, sometimes you don’t understand how this is the real middle ages or this middle ages that we are shown in the movies , we see, really, like everyday soviet comedy enters into dialogue with medieval epic, and zhanna, of course, is the cementing image that ties everything together. these are all three parts of the story about filming, the story about reality , the story about modernity. in general, it seems that she is obviously of the greatest interest to the director for gleb pamfilov. why do you want to believe so much? that first there was a film about the genre, and then the f