time we spent here there were no signs of any help. from the state at the time of the earthquake, huseyn and his wife were at home from under the ruins of the house, he was saved by his son, but it was not possible to save his wife, fatna, my wife stayed in the house, the ceiling fell on her, that's all god's punishment, fortunately , huseyn says to my son to be safe, where houses once stood people walk through the cascades of ruins and help in this remote region is very slow that people here are forced to sort out the rubble on their own in one of the houses on this street lived a family of six people died five survived only the father but it seems that people do not have time mourn the dead, you yourself see how much humanitarian efforts are still needed here, in another village the locals themselves pulled out a whole one from under the rubble spanish rescuers who work there say that everything has been destroyed in the meantime , 60 british rescuers arrived in morocco with the necessary equipment from houses that were too damaged for them to have it was possible to live, people save

and also, of course, with the real maestro of the shebeki, huseyn haji mustafazadeh.aijan you can count the shebeks on your fingers, he devoted more than 30 years, and in the two thousandths it was he who restored the very palace of the shikin khans; this palace is the most striking example; i have been to many countries, but i have never seen such exquisite work anywhere. in general, this is traditional azerbaijani art, which is very deeply rooted in history for about 1,000 years, then they began to forget, but about 270 years ago its revival began. when i came in, i was immediately reminded that stained glass windows, stained glass windows are united by multi-colored glass stained glass windows - this is metal glass, which are connected to each other, and in the shabek the wood has expired, but an important feature of the shabek is that neither nails nor glue are needed to connect the parts. and this despite the fact that in one square meter of xebec there can be about 15,000 glass parts, sometimes so small that you need to work with them with tweezers. wait, if the

what a beauty you have here of masters steps and especially those like huseyn in azerbaijan can be countedd to each other, and in shabeks the wood has expired, but an important feature of shabeks is that neither nails nor glue are needed to connect the parts. and this despite that in one square meter there can be about 15,000 glass parts, sometimes so small that you need to work with them with tweezers or nails, then what is this based on? the main secret is that in the wooden forms that make up the frame of the product, special holes are made and grooves, thanks to which numerous pieces of glass hold and hold so tightly that specimens that are about 300 years old have reached us. it's almost like a puzzle. look, it's all going to be like this. glass wood glass wood, here in this work uses approximately 5,000 glass elements, honestly, is it possible to go crazy? i generally underestimated what i saw there in the palace because i looked at it like stained glass and thought that it was all glued together and made. if only i had known that this is how everything is done. i’m just in such shoc