that 's the trouble, and if it's in 1974, it's 1973, 1974, tarkovsky takes off the mirror.s, there was a slightly different classmate of shukshina filming with him. overall, the course was amazing. yes, yes, there’s also saltykov meta, whoever didn’t have it there, and tarkov’s tarkovsky has a completely different one the outcome there is that the hero dies, because he is faced with such vital material from which it is impossible not to die, but he dies in order to live and he lets go of this bird, which flies away; well, maybe such a direct symbol is too even for tarkovsky . yes , the holy spirit, but he speaks and is almost inaudible. i have several times. eh, when i looked at the pictures several times for the first time, i didn’t notice these words at all. he says everything will be fine. he discovers new life what arseny tarkovsky in his poem, which life sounds in this film, life is precisely what it says, that there is still life, life is not only life, but shukshin’s hero is stuck in life. he didn’t feel this life, he didn’t discover his tragedy in this, because , we

moreover, to play such a complex saint in tarkovsky’s work.how communicate with her, somehow peer into her. then maybe she brought it. this is not the case throughout your entire life. so, she died on her day , the day of remembrance of mary and magdalene. but when you are with her about such things, about some personal breakdowns in life, about some mistakes, some things that she regretted, they said. you know, uh, she never showed it. eh, those problems of difficulties that i had to go through. she only dreamed of playing one role and playing another. eh, hmm, the theater is crazy, of course she loved it and she, uh, all the time, uh, had to be at work, so it was no coincidence that when there was a pause, there was no filming. she was playing in the theater when there was a pause in the theater. she went on stage to communicate with the audience. this in general too. in general, such a country is her life, which she remembers a little now. she, like you , came to power without leaving the acting profession. she was a minister, the culture o

he opens up a new life, the fact that arseny tarkovsky in his poem , which sounds in this film, life,, because , well, let’s say it’s like this. yes, here is the classic picture of gadar on his last breath, and there there is a famous dialogue. e with patricia, who is led by the hero of the car played by belmondo and she asks him. what do you choose: sadness or death? he says i choose death over sadness. it's a compromise. that’s where the whole point is, that for prokudin this is an existential choice. i completely choose there is no god. and let's go, but here, and it is impossible to make an existential choice, because for him death is a compromise, he is a loser hero. here 's the thing, he was maximalist and there's an amazing sequence where he's riding on, uh , a hydrofoil. how much can e no, it's called listen, maybe, uh, we'll drag him away for a couple. this is the thought, yes, to drag away a hydrofoil ship, he is a broad man, but he cannot fit this breadth into some kind of internal message into a spiritual movement. he is trying to do it nonetheless. yes, there are these re

he opens up a new life that arseny tarkovsky in his poem , which sounds in this film, life, life juste, life, not only life, but shukshin's hero ran into life. he did not feel this life, did not discover it for himself in this tragedy of his, because , well, let's say this. yes, here is the classic picture of gadar on his last breath, and there is the famous dialogue with the patrician, which the hero leads on the map played by belmondo and she asks him. what do you choose sadness or death? he says i choose death sadness. this is a compromise. the whole point is that for prokudin this is an existential choice. quite i choose god there is no and let's go. and here, uh, impossible existential choice, because for him death is a compromise, he is a losing hero. here's the thing, he was in a maximalist mood, and there 's an amazing episode where he rides on, uh, a hydrofoil, how many is called? look, maybe, uh, drag him off for a couple. this is the thought, yes, to drag a ship on hydrofoils, he is a wide person, but he cannot this breadth, and cannot fit this breadth into some inner messa

said andrei tarkovsky spoke about captured time.tein it’s a montage of comparison of different plans, and from tarkovsky it’s a long long mesa micro-frame, like at the beginning of the film, a mirror where you find yourself inside this life. that is, you must impose an artist. now these oh, by the way, we also talked about this with shamans, though, because they have some of their own, but very strange instruments that they they don’t realize it themselves, i think. they pull you into a different time into a different space, yes, that is , you are something else, this is some kind of very significant transition. in general, to be honest, uh, you know, recently it occurred to me that if we finally finish the game, and people on this planet will no longer be like this, and then something will happen and either there were some intellectual and perhaps more moral beings will fly here from other universes. yes and now they will look at what is left of us, then, i think, with amendments, but after all, the main thing will be art. of cours

her voice sounded in tarkovsky’s picture, nostalgia, he took her voice, her song, and she sang, is she archive, there, a whole repertoire. olga fedoseevna. sergeeva is a performer. this is the beauty of execution. this is a unique voice that is impossible. well, it was even impossible not to duplicate in any way, nor to monkey around with. and so i followed the trail, because when it all merged, tarkovsky olga sergeeva, i realized that i was probably on the way. well, somehow my life also worked out. i also sang in films and uh, and acted a little and so somehow it seemed to me that i was going in the right direction. your condition on earth is not a praise for the union.

the basis of any literature is often an unfortunate broken heart or some kind of pain, as he said, tarkovskyto exploit the theme of trauma. but even before it became fashionable. uh, everyone has always understood that m-th experienced shapes writing. well, you know, the topic of trauma is a special one, of course, the topic is not close to me either. uh, well, here's a kind of violent feeling in this topic of the social element. that is, it is always some kind of projection of a personal, subtle , wonderful social phenomenon. this is such a point of view of the new socialism of socialism, it was supposed to show competitions social life of production, the guiding role of the party. and here, as usual, within the framework. eh, this canon arises, of course, but there are still speeches here, i insist i don’t know, yes. well, personal experience, here, and an attempt to scale it socially and generalize always goes into the line of artistic, this is no longer my business. but if i were a prose writer, i would probably think so, yes, because, well, in general, literature does not need to be dri

andrei tarkovsky. andrey rublev.n wednesday morning on channel one. vasilyeva hello military pilots supported the work of ground units of russian troops in the area where their crews of su-34 fighter bombers were conducting ensured reliable protection of the defense lines by flying out on air patrols; along the way, the pilots made an approach to enemy positions and destroyed strongholds and manpower, and su-25 attack aircraft of the russian aerospace forces launched missile attacks on military targets and armored vehicles of ukrainian formations; they approached at low level and quickly worked on the target without losses returned to base. and in the recently liberated areas, an engineering and sapper unit of the central military district operates. they carry out the task of clearing road mines, and also provides assistance to local residents who have discovered dangerous finds in their areas. so in one of the settlements a man turned to the sappers and found it in his home. in the garden, part of the cluster muniti

out of competition in the classical program, russia is represented by andrey tarkovsky's time-testedhat is happening in russian cinema, and the following is happening today , one of the most talented and charming actors of russian cinema, sergey garmash, celebrates his anniversary birthday, congratulations. began man and cat fly at night. only a dream is not a thing, wings. the garrison gives me ready for battle. in which case we can keep the defense in complete encirclement? now i'll rest a little and dive again. forgive me, sir. urgent matter turkish sultan the sovereign writes that he would like to have you brother that this i suddenly became not good psychology listened to the poppy herd eliminates individual hope. and i 'll hide behind a bugger. i'm moving while others are advancing, of course i even have a cap. and a retired armored officer and you think i'll give it to you, why not? i'm at it now, dear friends. today i say goodbye to you with the wishes of a good weekend, see you on wednesday morning in the cinema section on channel one. the mother of her child always feels. y