the creative industry podcast is on air and in the studio roman karmanov, elena kiper, our guests aresk a question that is constantly hanging in the air. here we have two absolutely creative ones, implemented many times. people in general and who could stay in general, continue to be creative people, but you have to be managers in general of this process, why is this... an administrative role has appeared in your life, tell me, actually, administering creative projects, i started in my first year at the moscow conservatory , when my festival appeared, which is 23 years old this year, in fact, this is administration for the sake of creativity, for the sake of the fact that you know that what you want to do, no one will build this process better than you, in principle, this is what i do in chargers are indeed - we all processes are subordinated to a creative task, the creative concept of charge is an important function, this is one of the leading concert venues not just in moscow, in the country, we must provide the opportunity to daily come into contact with high art, with culture, on

you very much, dear friends, creative industry podcast on channel one, completed, with you were elena kipert of the russian federation, artistic director of the moscow oleg tobakov theater vladimirovich moshkov, thank you. i'm larisa guzeeva, let's get married, good afternoon, today's bride is irina. snezhanna and sofia, and our fiance is konstantin. konstantin, 33 years old , broke up with his beloved exactly at the moment when she refused to go with him to conquer moscow. konstantin is originally from krasnoyarsk and previously worked as a marketer. now he is the owner of a large sushi and roll delivery company. he is proud of his team and warns that his work will always come first. konstantin will not be attracted to an arrogant sports fan with an unnatural one. shapes and a short haircut, the ideal life partner is seen as a happy owner of tall height, a favorite business, a beautiful smile and a sense of style, hello guys , hello, that is, everyone has winter, and you have summer, i see, well, we have this for krasnoyarsk guys, we have gifts for you, summer bouquets, thank you, luxuriou

elena kiper, producer and music video maker, our guest today, mikhail midkoy, let's go back to that interestingwould also host a program on television at the same time, and we remember , why, in order to find out, the question is: did this number burn out, this one for ... did it justify itself in the end or not, you know, when i, in general, resigned from the post of minister, and then, when i left the post, head of the federal agency for culture and kinetography, the ministry’s budget was much higher, much stronger and the number burned out, another thing is that at this time the budget also began to fill up, everything worked, taxes were collected, in principle the country’s budget was much larger, yes, but our small budget is our own, yes , i tried to increase it as much as possible, because i’ll tell you this, this is also very important, there must be good relations with colleagues in the government, for them i was also a man out of the box, so some things were forgiven me, because when it was discussed question, for example, i don’t know, there is the development of the automobile indust

elena kiper clipmaker and producer were with you. roman karmanov, general director. the podcast ast lab project on the website of the first channel 1tv.ru, goodbye. i'm larisa guzeeva, let's get married, good afternoon, today the grooms are: vladimir, alexey, and sergey, and our bride is daria. daria, 35 years old, decided to divorce after her husband and his mistress began regularly coming to her with unexpected proposals. darya, head of the sales department in a legal office, lives in yaroslavl, is proud that she started her career as a cleaner, dreams of opening a holiday agency and visiting st. petersburg, admits that in the eleventh grade she ran away to an orphanage. daria will never enter into a relationship with a man who does not use deodorant forgets to clean his shoes until they shine. he sees an ideal life partner as an adult, bald businessman who will resolve conflicts in the family with hugs. hello. both are beautiful, but the fact that she dreams of creating a holiday agency is generally very impressive, well, can you imagine, it’s about bringing a hol

karmanov, podcast host and general director of the presidential fund for cultural initiatives, and elena kiper and music video director... today's guest, mikhail midkoy, let's get back to that interesting the moment, in my opinion, when the minister of culture shvetkoy decided that he would also host a program on television at the same time, and you and i remember why, in order to be recognized, the question was: did this number burn out, this idea, did it pay off in the end or no? you know, when i, in general, left the post of minister, and then when i left the post... the head of the federal agency for culture and cinematography, the budget of the ministry was much higher, much stronger, and the number burned out, another thing is that this time , too, the budget began to fill up, that’s it it worked, taxes were collected, in principle the country’s budget was larger, significantly, yes, but our small budget, yes, i tried to increase it as much as possible, because i told you... this is also very important, there must be good relations with colleagues in the government, for them i was also a

creative industry podcast on channel one, with you as before - your favorite hosts, roman karmanov, elena kiper us: today my legs have been numb all day, to be honest, from fear contact with a super legend, people 's artist of the russian federation, artistic director of the moscow oleg tobakov theater vladimirov, when did you decide that you were an artist, how did that happen? well, i, i have such an unusual fate for a person who ended up in the theater, i just grew up in a family of an artist and... my mother was a puppet theater director, an amazing director, and my dad was a brilliant actor in a puppet theater, we lived, first in tula, then in frunze, then in novokuznetsk, this theater, it was on my head, i’m not very i loved it, because firstly, they were arguing in the evening and this conversation about how pinocchio or karabas-brabass went the wrong way or was it a routine for a child, at such a level of passion, of course, at first it didn’t bother me even as a child scarecrow, so i was adapted, minded my own business, studied, i really liked biology, studied bugs there, then, when i