car, and khrustalev's car, yes, but then, when we were making films, it seemed to me that our filmcause she is an artist, i generally believe that he filmed artistry through documentary means. for this movie he had special operators, fedosov, with whom he worked for many years, and not without my participation , yuri viktorovich klimenko joined this team, who shot almost, well, more than half of this picture, something i understood that... then i don't i understood that we quarreled a lot, because we had different views, well, as an actor who must experience doing something on camera, we had different ideas about how it was experienced, and whether it was soviet science fiction, or rather, were soviet films about space fantastic, yes, because it seems like even herman’s film , on the one hand, it seems to be a fantastic story about how an earthling ends up on another planet, on the other hand, it’s an absolutely everyday, mundane story , that's what attracted you, i’ll tell you more that this is again strugatsky, this is not another planet, this is us, this is what they are all abo