favorite, graduated and preferred the vakhtangov theater of performances. we continue and i remindto me that you have finally come to literature, new new books, not only memoirs, but also books of different genres, yes, that’s what it is for you, and what seems most important to you, memoirs or your original works, i will now combine. two names, fomenko and lyubimov, fomenko and lyubimov, the theater, that is, the workshop of pyotr fomenko, and the taganka of yuri petrovich lyubimy, differ from all other theaters in many ways, but most of all, of course, in their devotion to the word, for their beloved prose stage, that was very important jean poetry stage the theater of words, theater of verse is very important, yes, that’s the whole point, probably my favorite theaters, glasha aksyonova will argue, because it’s impossible to call the taganka only a theater, the taganka theater of a loved one is a theater set, this is the theater of the great crossroads, lyubimov, as if he pointed out to those who... did not know that the theater is a crossroads, a crossroads of arts, this is a wo

theater, or from the vakhtangov theater floridor or stan from mademoiselle, not exactly, they’re allthis way, you try to find a new one, but yes, i really want this, to create another person who would live there on the screen. already without me, well, is this man who we just saw, is it really i, well, you said when we watched the trailer that it immediately becomes bad , why does it become bad, because these sounds, this is how the performance begins, i think, lord, there are 3 hours ahead, i need to lift this barbell, you know, once in the actor’s house i saw inna churikova, who was holding the curtain like this, they were already announcing her, she was whispering, lord, why am i doing this, what do you imagine? this step from behind the scenes is the most difficult step, and is it hard for the stage to die? no, you think, well , i’ll die now, i’ll rest and lie down for a while, that’s how i was filming dmitry brusnikin, the deceased in the film was called paid with death, played mozart. moreover, in the last year of his life and with the scene of his death , so to speak, and i wa

favorite, graduated and i preferred the vakhtangov theater to performances, we continue, and i remindu have finally come to literature, new and new books, not only memoirs, but also books of different genres, yes. that's what it is for you and what seems to you the main memory or your original work, now i will combine two names, fomenko and lyubimov, fomenko and lyubimov, theater, that is, the workshop of pyotr fomenko itaganka yuri petrovich lyubimov, differ from all other theaters in many ways, but most of all, of course, in their devotion to the word, for the beloved prose on the stage, that was a very important genre, and poetry on the stage, very important. theater of words, theater of verse, yes, that’s the whole point, probably my favorite theaters , glasha aksyonova will argue, because it’s impossible to call taganka only a theater, the taganka theater of the beloved is the theater of the multitude, this is the theater of the great crossroads, lyubimov, like as if he pointed out to those who did not know that theater is... the crossroads of the arts, this is the word, this is

go away again, but let’s say that it’s not a person, it’s a theater, there’s gaidebur, tairov, vakhtangovmpared to those, as you well know. yes, what are you, what are you, i, i am a spectator, i am a teacher at the studio school, nothing more, but this is an amazing time, it was taganka who still did not continue anything, literally, the judgment of an amateur, and so synthesized it all, twisted it so much, tied it up so much that it hit, as my students say, they say, it hit me, that it hit millions of people, respecting the podcast mode, i’ll shorten it and answer: it didn’t work out for me at the very beginning, i graduated with honors, at first for the second year i was, as they call it, not a volunteer, a volunteer, but in the middle of the second year this same one demanded that i return, and i and sasha zbruev, my classmate, who was also deprived of this certificates after the first year, he was also too smart, yes, probably not, something? another, everyone, well, actually, everyone was too smart and you and i, it’s ending, the shchukin school, i choose not only... according to my

favorite, graduated and preferred vakhtangov, the theater performances, we continue, and i remindr guest today is theater and film actor and writer, veniamin borisovich smekhov. it seems to me that you have finally come to literature, new and new books, not just memories, but also books of different genres, yes, that’s what it is for you, and what seems most important to you, memories or your original works. now i will combine two names, fomenko and lyubimov, fomenko and lyubimov, the theater, that is, the workshop of pyotr fomenko, and the taganka of yuri petrovich lyubimy, differ from all other theaters in many ways, but most of all, of course, in their devotion to the word, for the beloved prose on the stage , here... poetry was a very important genre and stage, very important theater of words, theater of verse, yes, that ’s the whole point, probably my favorite theaters, glasha aksyonova will argue, because it is impossible to call the taganka only a theater, the theater at the taganka of a loved one is a theater of many, it is a theater of a great crossroads, loved, as if, by

theater , or from the vakhtangov theater floridora celestena. these are all different people, or thel, is this person who we just saw, is it me, well, you said when we watched the trailer that it immediately becomes bad, why does it become bad, because these sounds, this is how the play begins, i i think, lord, there are 3 hours ahead, i need to raise this... i need to raise it, you know, once in the actor’s house i saw inna churikova, who was holding the curtain like that, they were already announcing her, she was whispering, lord, why am i doing this, what do i need, can you imagine, then there is, well, it would seem that she doesn’t need to prove anything to anyone, it’s been a long time, she was standing, because this step from behind the scenes onto the stage is the most difficult step, and it’s hard for the stage to die? no, you think, well, i’ll die now, i’ll rest for a while , i’ll lie down, i acted like that with dmitry brusnikin, the deceased in the film, it was called paid death, mozart played. moreover, in the last year of his life and with the scene of his death, so to

t go away , but let’s say that it’s not a person, it’s the theater, there ’s haideburg, tairov, vakhtangovis an amazing time, it was taganka who still did not continue anything literally, an amateur’s judgment, but synthesized it all, so twisted, so tied that it hit, as my students say, they say, i got hit, that it hit millions of people , respecting the mode of the podcast lab, i’ll shorten and answer, i didn’t succeed at the very beginning, i graduated with honors, at first, for the second year, i was, as they call it, a partial student, a volunteer student, but in the middle of the second year, etuzh demanded that i return, and i and sasha sbruev, my classmate, who was also deprived of certificates after the first year, were also too smart, yes, probably not, something something else, everyone, well, actually everyone was too smart and you and i, the shchukin school ends, i choose not only according to my taste, but according to the taste of that new russian literature, prose, which i endlessly loved, the opening of the magazine youth, the appearance anatoly gladilin, vasily aksenov, an

favorite, graduated and preferred the vakhtangov theater to performances, we continue, and i remindday we have a theater and film actor and writer borisovich smekhov. it seems to me that you have come to literature with new new books, not only memoirs, but also books of different genres, yes, that’s what it is for you, and what seems most important to you, a memory, or your original works, now i’ll combine two names , famenko and lyubimov, fomenko and lyubimov, the theater, that is, the workshop of pyotr fomenko, differs from all other theaters in many ways, but most of all, of course, devotion to the word, for the beloved prose stage, that was a very important genre and poetry on the stage, very important, theater of the word, theater of verse, yes, this is the whole point, probably, my beloved theater glasha aksyono will argue, because it is impossible to call taganka only a theater, the taganka theater of my beloved is a theater of many, this is a theater of the great crossroads, lyubimov, as if he was pointing out to those who do not knew that theater is a crossroads, a crossroa

this is a completely different life, it’s black and white, here suddenly there’s a holiday. as vakhtangovin 2004, again a transitional period for the country, a performance was needed, joy, plus in the grishaev theater, which is absolutely. although he is 19 years old, they played in october the 500th performance, and when they ask, how can you play like the first time, well, i didn’t play all 500, because improvisation and the desire to fill the auditorium with this joy

when i played six performances in london with the vakhtangov theater, the most amazing thing is thatay before, next to the theater, we played at the olbil theater, the day before there was the premiere of dyadivanie oni received four stars. when we played the first performance, they immediately gave us five stars, then we continued to play with them. they took away one star from the poor and i remember that the heaviest was the fifth, for some reason it suddenly became so difficult and not just for me alone, for everyone, not because i was tired of saying it, no, well, somehow there was a feeling that... then heaviness, suddenly the sixth performance , i think, i wonder how the sixth will go, as if a second wind had opened, after the sixth performance, i thought, now there would be one or two day break and you can have more, and coffee helps you hold on, it’s very tasty, give me the recipe, the recipe is very simple, tasty, good, coffee, this time i took handuraz, usually i take brazil, but they told me, take handuraz, no - almost no worse, but much softer, i like non-acidic coffees,

in different ways, because, well, this year i played paul i, this is a tragedy genre, but i’m a vakhtangovical comedy, vaudeville, melodrama, uh, drama, uh, tragedy, and to be absolutely on point in this back and forth, and for the audience to believe him, this is what a vactan actor is, so i needed to master the genre of tragedy and i i do it with pleasure, all media persons are asked in one way or another to at least somehow react to the news agenda, you react, an actor or artist does not always have to be an expert in all matters and comment, if a person understands something, he can comment on it , if you're interested this is my opinion on some issue, but you can give it to me. let me express it to you, the main thing is that i have it, so in this sense i am for a person to consciously understand that it is necessary to build, and not dismantle, and also how it was once before the foundation, and then, as for foreigners and your colleagues, who may have renounced their place of work, those awards that were awarded to them by the state, you did not do that, even if tomorrow is the end

line, oh, well, now, now, yes, we open the fourth line, so, wait, wait, there’s a theater there vakhtangovis really the oldest in moscow, came in third place, then vakhtangovo, this is the oldest theater in moscow according to the moscow open student theater theater , then we have the theater of satire, it remains to open the sixth line, we exhale, if you want to help us open, we open, yes, the moscow theater named after us was placed on the sixth line of the survey we surveyed. and accordingly, the bridge command takes the lead, and now it’s a big game for them, you’re looking at a hundred to one, so it’s a big game, we have to split up, someone has to go into the scary room, right there, where neither sounds, nor light, nor air, nor water can penetrate , it’s okay, who will sacrifice himself, andrey sacrifices himself, is it possible with him , scary, no, just five questions in 15 seconds, attention, let’s ask questions, what is the most popular flavor of candy, mint, what is cooked in the oven, and chicken , what kinds of butterflies and lemons are there? where can you move out? out of

i when played six performances of uncle vanya in london with the vakhtangov theater, the most amazingave us five stars right away, then we continued to play with them, they took away one star from the poor, and i remember that the hardest... top five, for some reason it suddenly became so difficult and not just me alone, everyone, not because i’m tired of saying it, no, well, somehow there was some feeling of such and such heaviness, suddenly the sixth performance, i think it’s interesting how the sixth will go, as if a second wind had opened, i waited for the performance, i thought, now there would be a one or 2 day break and maybe more, but coffee helps you hold on, it’s very tasty, give me the recipe, the recipe is very... simple, tasty, good coffee, this time i took honduras, usually i take brazil, but they told me, take conduraz, it’s no worse. but much softer, i like non -sour coffee, they grind it for me, i i say, for a cup, it’s a little larger than for espresso , coffee is present in sergei vasilyevich’s daily diet every hour, not in liters, of course, but there is a lot of c

all vakhtangov workers were involved in the work; even the workshop workers read the play.applause was heard as soon as the curtain opened. he called himself miguel cervantes mikhail. this is all in the letter to sergeevna, so, in general, i was very, very inspired by this idea. portrait of knyazyapov, a nobleman of the catherine era, diplomat, collector. his lively stories inspired pushkin to write spanish poems: the sad noble hidalga donquihod, the seductive don juan, typecast characters, flamenco, prominence dance, carida , this is vladimir bekhtieva, who served as the chief artist in the first state circus, this was an artist who was part of the blue rider association, who studied in the best european schools, which were friends, a chronicle familiar from torkovsky’s film, spanish children fleeing the war, the soviet union , drawings by esenstein, who was not allowed to make a film about the tragedy of the civil war, leonid tishka’s reflections on themes of famous european masterpieces, the infante, a painting by velasquiz, in general, if you look closely, this work may

the director of the state academic theater named after evgeniy vakhtangov, kiril krok, and the theater on ntv, i’m sergei mayorov, hello, queen of spades, hit of the theater season, incredible interest among the audience, the production of this mystical drama by alexander sergeevich pushkin is already in st. petersburg, krasnoyarsk, rostov-nadon, yaroslavl, irkutsk at the state academic. mossovet theater, in the role of the old countess, the legendary cinema star, always energetic valentina tolyzina, evgeny radimov and mikhail lomov were admitted to her majesty, valentina illarnovna. why don’t you get the chance to say, greetings, that i’m dressed and waiting for her, forgive me for my tactlessness, but where does the strength come from for 88 years to go on stage, i don’t know about myself, i only know that, uh, today i’m playing pushkin, i know that, but i don’t know where they come from, they come from somewhere, and the fear is still present. especially when you are sitting behind the stage and you hear how the performance went, the performance, because a living organism, it goes,

the evening performance, until we get in the way and are transported to moscow, to the yevgeny vakhtangove, we really haven’t seen lenochka for a long time, but for me seryoga is such a person, you know, i won’t call him by his last name, i looked . program and one artist is asked a question: this woman who loved you laid the foundation for your career, suddenly the artist speaks without comment, i want to immediately get into the screen and say: listen, well, it won’t be for you, friend, but we are all witnesses how you got to your feet and whose hand you held, here is seryoga, this is a person who, if he is asked this question, will definitely say about his wife, about lena, with reverence , with love, with respect, with grateful words, he will call her muse, he will call her mother, he will call her his love, his pillow, his vest, for me seryoga is a big man in this, this is his respect for lena, this understanding that lena took him in her arms at the moment when she should have taken him in her arms, you have mean sra? conflicts due to youth, but seryoga was very an unrestrained pers

and a day earlier, at the very peak of the geomagnetic storm, the prima of the vakhtangov theater lyudmilahings, he is a dog lover, how he looked, how he felt, but the thing is that he is very funny when he comes to the dacha, and he’s such an impossible russophile, although we have a completely civilized village, asphalt is everything , he gets smart in the day or two that he comes to the dacha, he grows stubble, he puts on some kind of quilted jacket, he’s like that.. .grandfather pike, there’s some kind of trembling on him, there he stands, he probably feels like he’s in a village , and we walk past, we walk, i say who it is, i say, solomin, how can it be, because he’s completely getting used to the village someday complained, but he’s not one of those who complain at all, he’s so strong, he’s been feeling bad lately, he’s not walking well, yes, he’s walking poorly, we talked, he said that i’m not leaving the theater because i’m not i want them to run around here with naked siysk women, excuse me with all the business, i want to leave classical literature, plays, drama, that’s why i’m s

all vakhtangov residents were involved in the work. the play was read even to factory workers.t of konstantin korovin. applause was heard as soon as the curtain opened. he called himself miguelemtesa michael. this is all in irgeevna’s letters. in general, i was very, very inspired by this idea. from prince yusupov, a nobleman of the catherine era, diplomat, collector, one of the first checherons. his lively stories inspired pushkin to write spanish poems. the sad noble hidalga don quixote, the seductive don juan, who has a rose in his buttonhole and words of love in all his pockets. all spanish characters, types: flamenco, prominence dance, carida, this is vladimir bekhtiev, who served as the chief artist in the first state circus. it was an artist who was part of the blue rider association, who was studying. in the best european schools, who was friends with the expressionists. a chronicle familiar from torkovsky's film, spanish children fleeing the war by leaving to visit friends in the soviet union, drawings by esenstein, who was not allowed to make a film about the civil tr

accumulate, make you closer, just amazing, this, well, this is amazing, this is the theater of the vakhtangovere is a special one, there is a day when we send it there some things that are necessary. i wrote out for myself there today these internet bombardments with various predictions, well, because you open it, and they write to you, an unknown messing prediction has opened, at the beginning in the 21st century, from some small piece of earth, a global crisis will begin in a large country, which will lead to the devastation of the whole world , believe it or not, no, the prediction is something, and the prediction is what, how it will end, i’m interested in the prediction, how it will end will end, the gift of messing, what do you think, if it is a gift at all or is it just our nature there, it was not harmful to him, and to the people around him, i asked myself this question when we started filming this film, he is a gift from god, or vice versa, from the other side, after all, messinga, i suppose that it was still a gift from god, he never did anything for himself, but did for people, as

the vakhtangov theater presents the play amadeus directed by anatoly shuliev.esents the exhibition gosudaevo kolomenskoye, architecture and nature in the works of german orlov. the exhibition includes about 100 watercolors by the professor of the moscow architectural institute, which help to evaluate the landscape of an architectural monument and understand the architects' intentions. in the pavilion where the collective farmer works at vdnkh you can see changing fashions from empire to art nouveau. on three floors of the exhibition there were more than 400 items, dresses, shoes, underwear, accessories, prints, many of which were presented to the general public for the first time. opera itello at the mariinsky theater continues the month of verdi's juze. the main roles are performed by khibla gerzmava and avanes ayvazyan, conducted by valery gergiev. moscow theater for young spectators presents to the stage of the bolshoi drama theater named after tavston the performance of pyotr sharishevsky, romeo and julie. variations and comments within the framework of the