[rifkin] burt said that he and clint eastwood both went to italy out of desperation because they couldn'tterns. burt says that clint made the good, the bad, and the ugly, and, you know, changed his whole career forever, and he said, "i got stuck with navajo joe and the worst wig in italian cinema history." [♪♪♪] [reynolds] clint had done a picture called a fistful of dollars , and he had a director named sergio leone. i had a director named sergio corbucci. [uproarious laughter] now, clint killed 40 guys. i killed 450 guys. i said, "i've run out of ways. how do you kill--- i can't kill anybody anymore, sergio. what do i do?" and he goes, "dynamite." [laughter] so i got a whole trainload of guys then. [reynolds] that's a picture that i know you missed. [crowd laughs] it was a wonderful picture called navajo joe . [applause] oh, thank you. you're applauding because you missed it. [laughter] burt was a bad boy. he'd go onto a talk show to promote a movie... i did seven pictures in a row, david, after hawk , and a couple of them i shouldn't have done, and they're just coming out now, unfortun

like a sitcom entrance when bookman comes in. [ laughter ] you've got clint eastwood there.ng to look over dean martin's head. and of course michael jackson in the middle, who was somebody that you knew. would you say you knew him well? >> very friendly with michael. as well as anyone could get to know somebody. >> jimmy: how about sammy? how well did you know sammy? >> i knew sammy for a few years. we would go up to his house on wednesday -- tuesday or wednesday, and he would have movie night. you would see steve and eydie and all these people at the party. lucille ball would be at sammy's house watching movies. >> jimmy: listen to the crowd, how delighted they are. [ laughter ] sammy would serve drinks and you guys would hang out? >> he had like a screening room and we would watch movies. very hollywood. >> jimmy: the more i hear about stevie wonder -- i met him a few times -- the more i start to believe that rumor that he's not actually blind. [ laughter ] >> yeah, i can see why. [ laughter ] no, he could do -- stevie could do anything. move, walk around. i've seen him wa

in the immortal words of clint eastwood in unforgiven, eastwood made a point. what he said? he said deserve has othing to do with it. the market is going to make mistakes. your job is to recognize when it is doing something wrong, then try to take advantage. stay with grammar. >> i always say my favorite part of the show is answering questions directly from you. so i will bring in my portfolio analyst and partner to help me answer some of your most burning questions. were you able to take a look at some of your mad tweets? for those of you who are part of the investing club, you'll need no introduction. for those of you who are not members, which is really shady if you're not, i hope you will join and i will say that jeff's insights help me do a great job for all mad money viewers. you see a lot of the stuff that i talk about in the show. now you are going to be getting to see it in real time. we do this sort of thing during our monthly meetings, where we give you an in-depth look at our portfolio decisions for the club. and to answer your burning questions the

clint eastwood. yes.ouldn't mind actually pretending that i was choking just to get clint eastwood. >> well, that's true. >> well, that's true. >> what did you what did you do when you get a bone in your throat, what's your recipe for saving from that saving yourself from that disaster ? disaster? >> don't know about a bone >> i don't know about a bone because be lodged. because a bone can be lodged. that's yeah but i eat bread, that's it? yeah but i eat bread, and i found that pretty effective. >> and that what i was >> and that was what i was always told as a boy. >> and that was what i was alwwhat ld as a boy. >> and that was what i was alwwhat that; a boy. >> and that was what i was alwwhat that means, you must >> what that means, you must have still been able to breathe. >> well, here yeah exactly. >> but, i mean, it's. i think it's when people. people are at dinner tables and they are eating and talking at the same time and they don't always chew properly and properly or they don't. and something st

mystic river, which is a great book and was made into one of my all-time favorite movies with clint eastwood directing. the small mercies book, it is a historic all novel, in a way. it is set in 1974 in boston. what a judge did in boston shortly before that was made a ruling that said roxbury hi, half those kids have to be shipped to south boston high school, which is all white irish. they were just going to exchange and this created, as you may recall, it turns out people in the north are incredibly racist, just like the people in the south were. not much different. it is fascinating because the novel is set off against what is going on. the racism in it is so raw, it almost astounds me he can get away these days with writing that. it is quite something. i guess the fiction i am putting down on my list for you like hillary mantel, i like historical fiction. host: the keystone state, you are on. caller: good morning. thank you mr. gwynne, i have enjoyed your discussion. my question goes back to the hindenburg before the 1937 crash. could you tell us about the last u.s. flight -- i believe it

you thinink of mel g gibso, and d you think k of clint t eastwood,, who fifinally getsts his due in therns and the e dirty harrrry films is landeded onon this momement of fraia. - did papa used to kill folks?s? - my agent calalled and sasay, "clilint eastwooood hahas made an n offer." "clintnt eastwood-d-eastwood" "yes. yoyou'll be hihis partnr in thihis western.n." "well, shuhucks. tetell him i'l'll think ababou" [laughs]s] i rememember therere was threen you u shot, willll, not two. - wellll, i ain't t like thatt no more,e, ned. i ain't nono crazy y killing fofool. - clint eaeastwood and morgrgan freemanan, who haveve been professisional killelers and are e sick of viviolence, they don't wanna do o it anymor, but ththey get dragged baback into itit. - i've k killed womemen and d children,, killed just t about evererythg that walksks or crawleled at onene time or a another, and i'm here to o kill you,, littlele bill, fofor what you did to nened. - clint isis maybe the bestst directorr i've evever worked w with. i i love the w way he doese. he's quiuick. he's decisisive. it's jusust bea