if opera yura knew that he , too, is an absolute invention of the screenwriter daria gorotsevich, hed consciousness of the screenwriter gorotsevich, who herself is enraged, enraged, enraged by her close and distant ones, and it is she who , strictly speaking, for the sake of relaxation , appropriates their appearance, their words, their behavior to the heroes of her series, and she herself is tired of constantly listening to oksana like an opera to scandals in waiting rooms, doctors' offices, in restaurants, in order to then pull out the most striking passages and insert them into her series, she is tired of making her heroes for the needs of the obscene public, they come up with all sorts of perverted dads , suspicious psychoanalysts, nemphomaniac girlfriends, who in general practically do not exist in nature, but the public needs something nastier, more disgusting, that’s, in fact, such an invention in oksana’s opera that happens around, of course, the final scene in which the opera oksana sends her black cloud to all her loved ones gathered in the room and got her into an impossib