ilsa, hello, hello, hello.ave it right away to be honest, the question is about ballet, ballet is very strong. how to behave, how to maintain your diet, how to generally maintain your inner core in ballet and tell me, please, i think that ballet is a very closed art, few people can understand it , feel it without being there, you are trying to find some kind of dramaturgy for this to talk about ballet in a way that, roughly speaking, would be interesting, it’s very difficult, i understand very well those people who take up the topic of ballet and look for this very dramaturgy in it, because the viewer we need to look after something, but with us, i think that maybe even ivan aleksandrovich will support me, in our art dramaturgy is within our very work, because this is a huge overcoming, but this is huge... oneself, like to connect the audience to this, you probably need to be fat, lvomovich, and do those same monologues from anna karenina or andrei bolkonsky, in order to understand, yes, what is happening insid

and so gerda writes a play and she and her friend ilsa decide that they're going to dress up as jewish grandmothers. they use some of the materials from the textile mill to make great wigs to make glasses. and they give out advice as jewish grandmothers in this play they put on and actually have testimony from gerda in, her own voice. looking back decades later, reflecting on the message of, her hanukkah play, and how she and her friends found a way to light the traditional candles of that holiday. let's have a listen. someday we will live in a place where jewish grandmothers will be allowed to live and the jewish grandchildren will live. but best of all, to live in a place where the climate would be such that our children, grandchildren will not believe our of the past when we get to play, we also fashion a menorah out of our evening meal of potatoes. we cut it very carefully and we had sort of a dilemma. should we try to. of course, we had no candles, but then we thought even if we had candles, it would be more symbolic to sort of light the flame of hope within us. really powerful, a

this is ilsa [indiscernible] sorry not there in person. i also work for larkin street. i want to join my colleagues and urge yes vote for this really thoughtful plan. i love to point out that a fully functioning youth homelessness response system is one where nobody stays together and we work together as a community of providers to propose allocation plan that creates flow through the system. it gets more people housed and also helps them move on to their next thing. [indiscernible] exit out of transitional housing and into subsidized housing and helps young people exit supportive housing into subsidies. it is smart and it goes a long way not just to towards preventing future chronic homelessness, but creating a highly functioning youth homenessness system as possible. thank you and i do hope we are able to get that yes vote today. >> there is one caller. not sure if that was them. >> yes, can you hear me? >> we can hear you now. >> this is bonny preston, one of your committee members and just so sorry i'm not there today. the covid finally got me after three years, i g

lithuania suggested to her how to take lithuanian citizenship, we are latvians and i. .. and dad and ilsa well, just one, one part of the world. i’m actually very sorry, we often went to riga, held evenings dedicated to our father, and opened a monument near the theater, anyway we had some contacts and they were quite good, he lives there with us still a cousin, but the second part is our russian mother, my mother was born in the tver province, kalinin region, the village of zabolote. we went there, spent several years there with my grandmother in the village, uh, she cooked for us in the oven, my mother is from there, so it’s like everything we have is such a russian real thing, it’s like from my mother’s part, i remember in some new year, on new year’s eve we met with you in the temple, but last new year for you there was some completely special solitude with god, you were in the desert in your, in desert in deveevo, and you spent a whole year there, and a whole year passed there. year and year of solitude for a person who was always in a circle, a big theater , then one, another, a thi