karmanov, police, open the door. stop, police.rt, the blood is a complete match, karmanov’s blood is on the horse’s clothes, at the crime scene, pockets, that’s what... i came there, i saw his watch was cool, and the aunt who worked there, the nuts with the bruliks, so i decided to chip one of them, and the aunt came out not alone with a man, but this horse came out about 10 minutes later, and i saw that he was beaten and limping, i cut him i didn’t want to, i decided to just scare him with a knife, so he knocked the knife out of me and hit me in the nose, but the fight went on, then you killed him, but i didn’t do it on purpose, i repent, of course, igor, call bulkin, let him formalize the sub-protocol . oleg georgivich, i’ve already sent a text message to bulkin, it’s coming soon. what is it? sorry, just write down that i didn't specially. i've caught a spy, well, hands up, major, calm down, put the gun down, i'll explain everything now, of course, you'll explain, you'll definitely explain, in the boss's office, well, off you go

on air on channel one, today with you is elena kiper, composer, producer, video maker, and roman karmanovneral director of the presidential fund for cultural initiatives and mediaman our guest today is the people's artist of the russian federation, the brilliant ballerina ilza lepa. ilsa, hello, hello, hello. i have it right away to be honest, the question is about ballet, ballet is very strong. how to behave, how to maintain your diet, how to generally maintain your inner core in ballet and tell me, please, i think that ballet is a very closed art, few people can understand it , feel it without being there, you are trying to find some kind of dramaturgy for this to talk about ballet in a way that, roughly speaking, would be interesting, it’s very difficult, i understand very well those people who take up the topic of ballet and look for this very dramaturgy in it, because the viewer we need to look after something, but with us, i think that maybe even ivan aleksandrovich will support me, in our art dramaturgy is within our very work, because this is a huge overcoming, but this is huge...

karmanov is a respectable citizen , but you are an adventurer, we are both good with you, here they aret back, and you sit down, yes, slavik, i’m sorry, lenya, you can’t argue against the law, this is fascism, a disgrace, i will complain, what other fascism, what are you talking about? your employee used lawless, inhumane methods during the arrest inhuman, yes, i almost had something there , i don’t understand anything at all what kind of shit igor will tell you later, but it’s still okay , the poundus didn’t do anything wrong, so let’s get to the point, you had a conflict with the murdered klimov , he was a border guard, this bastard expropriated my land, so maybe that's why you killed him, i didn't. no, he didn’t kill, he didn’t kill, no, but he threatened, well, he threatened, he threatened, he threatened, and what, threatening is one thing, but killing is another, so, in general, stop lying, you killed klimov, then start repenting, i i didn’t kill, i didn’t kill, here’s a cross for you, but what about us? i was hiding, that’s it, i thought that you would pin it all on me, we’ll pin

industry podcast on channel one, with you, as always, elena kiper, music video producer, and roman karmanov, general director of the presidential fund for cultural initiatives. and our guest today is vladimir lvovich moshkov, people's artist of the russian federation and artistic director of the oleg tobakov theater. hello, vladimir, hello, it’s very nice, and our graduation is festive, because it’s vladimir moshkov’s anniversary. we are glad that you came to us again, we are glad to see you, you have one role that is with you, well most of your life, abraham schwartz in the play sailor's silence, you started playing it as a student, when you were just over twenty, but continue. and the film was made , how different is the character of your twenty-year-old schwartz from the current one, he is indisputably different, just as i am different from myself at twenty-something years old, experience, knowledge, the collision of your personal life also help to pay attention to the collision and the life of the character, to me it’s getting easier because when i was young i suffered from the fact tha

dear friends, we continue our conversation in the creative industry podcast lab studio, roman karmanova kiper, producer video director, our guest is the great actor, vladimir mashkov, whose anniversary is celebrated. do you think there was hollywood in your life, our film industry has come closer in its own way. commands the attention of the audience , huge amounts of money are invested there, and the work to improve this industry has never stopped, there are moments when ideas and tasks suddenly disappear, but there is still someone who processes it in one way or another, of course, depending on the amount of investment in cinema, of course, we are still far from such means. of course they appear here and there are some opportunities sometimes to do something unique, such as a film challenge, but if we say so, of course , a lot, a lot of money is invested, in connection with this there are a lot of professionals who are engaged in perhaps small activities , but this range of actions is his, he knows it exactly, thoroughly. yeah, listen to your language, this is probably very attractiv

a good talk, and we had a guest - science fiction writer, sergei lukyanenko, dear friends, roman karmanovzeeva, this is let's get married, good afternoon, today is the bride maria, svetlana and lily, and... what a beauty, hello, hello, the postman of the stove himself. wow, pechkin has arrived, a real postman , you and i have somewhat similar characters, naturally, that ’s why i was so angry before, because i didn’t have a dog, and why were you so angry before, i’m not evil , he was harmful, which means he was, because, because you didn’t have a bicycle, of course, you brought us mail or you just brought you new year’s mail in leningrad itself, you’ll get and let's go. oh, the postman arrived , brought new year's mail, that's how many letters there are now , they brought a lot - well, they write from all over the country, they distributed everything, or there was a couple of lines for me, someone, and this is already a secret postal situation, i don’t i know, it’s interesting, he always looks exactly like a postolion, people come up to him on the streets and ask if you ’re the one, so giv

roman karmanov, elena kiper, we have guests. the fat workers shed a man's tear , because we, because it touches you, you know, when our athlete brazakovsky won the olympic games, i think in 2004, when he overtook everyone, so to speak, all the people in the world, at that time the best, then there is also such pride, and from this pride you always have such tears of joy, as the hero said, so, that’s the same thing we saw oleg , we both have such a tear, and then, of course, the musician who sings, knows great music, the history of music , plays classics, plays jazz, knows folk songs, sings in all the languages ​​of the world, so it’s impossible to imagine him, that’s not the way i imagine him, that’s what it means you’ve met, i just can come to you , to meet the living legend of jazz, is it possible, is it possible, is this me for those who for those who still want to come up? well, this is an appeal to talented people because , by and large, since we are talking about the creative industry, you need to be proactive and not be afraid of the fact that you are not they will see, they w

this is a podcast of the creative industry. in a studio roman karmanov, elena kiper, and we are talkings birth to such massive, huge works, how is it all born, how do you do it, how do you bear it? do you compose or do they come on their own? mostly they come on their own. i really don’t think that the psychiatrist profession is very important here. of course there are a lot of doctors among the writers there are also science fiction writers, but there are also dentists and therapists and surgeons, this does not interfere. but strictly speaking, medical education probably gives some kind of advantage, like any education in general, it teaches you to look at the world systematically. and i loved science fiction since childhood, and for me, as it were, my main favorite technique, when i started writing, was precisely to introduce some unexpected fantastic assumption into the world, and after a single assumption appears, you can see what happens to peace. can can you teach to be a science fiction writer? uh, this is a difficult question, can you help me learn? you now have two projects at

industry podcast on channel one, with you, as always, elena kiper, music video producer, and roman karmanovon and artistic director of the oleg tobakov theater . hello, vladimir lvovich, it’s a pleasure. and our graduation is festive, because it’s our anniversary... we are glad that you came to us again, we are glad to see you, here you have one role that has been with you, well, most of abraham schwartz’s life in... the performances sailor’s silence, you started playing it as a student, when you were a little over twenty, you continue to play it to this day, and the movie was made, as far as your character twenty-year-old schwartz is different from the current one, he is undoubtedly different, just as i am different from myself at twenty-something years old, experience, knowledge, and the clash of your personal life come. also help to pay attention to the encounter and the life of the character, well in this case it makes me feel better because that when i was young i suffered from the fact that i was very young and could not live up to this fairly mature person, now i am already approachi

podcast on channel one, with you, as always, elena kiper, producer. music video director and roman karmanovlo, vladimir lbovich, hello, very nice. and our graduation is festive, because it’s vladimir mashkov’s anniversary. we are glad that you came to us again, we are glad to see you. here you have one role that is with you. but for most of abraham schwartz’s life in the play sailor’s silence, you started playing it as a student, when you were a little over twenty, and you continue to play it to this day since then, and the movie has been made, how different is the character of your twenty-year-old schwartz from the current one? he is undeniably different, just as i am different from my twenty -something self, coming. they somehow still live inside you, but it’s important to really move them out at a certain moment, well, i want to basically immerse you back into student life, again oleg pavlovich said that he had never met such a prepared student in his life, he said that for the lesson you prepared 20 versions, 30 versions for the etid, in general you came extremely prepared and... novosi

i'm roman karmanov, and i'm elena kiper, we continue conversation with sergei lukyanenko, to what extents such a cumulative effect - the accumulation of surrounding opinions, a person goes online, he has some views, he involuntarily finds like-minded people, they begin to support these views, and the person radicalizes very quickly, here it is - the conditional virtuality of networks, it was a kind of shock, many just found themselves in the depths and began to choke, for the generation that followed there, maybe those born in the early 2000s, but yes, it was such a very full-fledged environment and they splashed around with pleasure in it, and the current one is already suitable somehow differentiated, that is, i was convinced many times that children grab, say, some... box with a board game, lay out some figures, cards on the floor of the table, so they play it with no less, and then with much more pleasure than in some online games , but if they offer all the feelings, i apologize, in general, if there are offers, then part of the population will certainly take advantage, but this is

friends, podcast creative industry on channel one, with you , as always, elena kiper, and roman karmanoveater. hello. nice to meet you. and our graduation is festive. because it’s vladimir moshkov’s anniversary. we are glad that you came to us again, we are glad to see you. here you have one role that is with you. well, most of abraham schwartz’s life in the play sailor’s silence, you started playing it as a student, when you were just over twenty,

dear friends, we continue our conversation in the creative industry podcastlab studio, roman karmanovf the presidential fund for cultural initiatives. elena kiper, producer, video director, our guest is the great actor, vladimir mashkov, whose anniversary is celebrated. do you think there was hollywood in your life, has our film industry come closer in its, so to speak, state, in the way it works within itself, closer to hollywood? hollywood is a huge industry that takes over with regularity. of course, we have them, and sometimes there are some opportunities to do something unique, such as a film challenge, but if we say so, of course, a lot is invested, a lot of money, in connection with this there are a lot of professionals who are engaged in perhaps small activities, but this range of actions is his, he knows it exactly, thoroughly, we... still hope for some kind of discovery and a miracle, and they are laying it out, it will happen, so they sometimes get upset that wait, we built everything up, but it didn’t happen, this is a big tragedy for them, but nevertheless, despite the fa