said, i will be that uncle in red, in the corpse of a big one in ninety-two , the legendary yuri grigorovicharidze made his debut in the role the enchanted prince, he performed this role in the nutcracker in his native theater 101 times in 27 nikolaets from karidze is already a people's artist of the country, then twice. the way the academy of russian ballet can do it, at least for all 10 years i put in order for it to be in such excellent quality, well, enjoy, nikolae ciskorizza now also has teffy on his list of awards, he received a statuette as the best host of an entertainment show for the program tonight on our channel, he ended his career as a dancer at 39, but people... nikolai maksimovich, we love you very much, from the bolshoi theater, his fans moved to the walls of the mikhailovsky, here, he is now playing in a comedy play, an even precaution, a widow of advanced age, performed by tsyskaridze, has become special, which will still give everyone has a head start, his legs, as he himself jokes, give away his prime minister’s past when you have 50 takivshchikov. you can only say this:

in the biography of the great choreographer and chief choreographer of the bolshoi theater, yuri grigorovichiere performance was performed by people's artist of the ussr, vladimir vasiliev. this performance was invented for him and... and he, of course, is absolutely the starting point, the red suit was chosen for vasilyev, because he is short, he does not have long legs, he does not have slender legs, he has such a rather compact figure, very , well, so muscular, and the artist for him, having come up with this red suit, first of all, he very much raised the waist in order to lengthen his legs, to cover butt, in general, he made his figure with this red color when they began to wear it... with whom i began my leading life in the big one, and this is the dancer i ended up being, i’m not ashamed, in 2007, still in the status of an artist of kardaballet, twenty-year-old artyom ovchurenko came to a rehearsal with nikolai tsaskoridze. it seems that this is a children's play, but it is a philosophical adult, because masha, she is going through a phase. from childhood to adulthood, the final one i

in the biography of the great choreographer and chief choreographer of the bolshoi theater, yuri grigorovichwas performed by people's artist of the ussr, vladimir vasiliev. this performance was invented for him, and it is, of course, absolutely the starting point. and the red suit was chosen for vasiliev, because that he is not tall, he does not have long legs, he does not have slender legs, he has such a fairly compact figure, very, well, so muscular, and an artist, for him, having come up with this red suit, he is, first of all... very he greatly raised his waist to lengthen his legs , to cover his butt, in general, he gave him a figure with this red color, when they started putting it on me, they probably didn’t, well... they changed it three times, because they put it on me, i went out on stage, they said, oh, take it off urgently, because my legs are growing like this hence, i had to lower the waist, many years passed, in 2009 there was a competition in moscow again, grigorovich was the chairman of the jury, he invited vladimir vasiliev and me, nikolaevich came, he stood up like that, s

graduated from the moscow choriographic school in 1992, and thanks to the chief bulitmester yuri grigorovichhe says, it’s very simple, he writes you under the first number, despite the alphabetical list, and thus, well, to some extent, your judge decides, everything, nikolai went from a gordiballet dancer to the leading soloist of the bolshoi theater, the nutcracker, sleeping beauty, swan lake, carmen, for 21: years tsitsaari performed leading roles in famous productions on the best stages in the world. his talent was admired by such celebrities as princess diana, the king of spain, and fashion designers. vivienne westwood and hubert devanshi. nikolaidze experienced first-hand the cruelty of the ballet world, finding himself at the center of high-profile scandals. as a result of one of them , the legendary artist left the bolshoi stage. however, this did not break him. he still openly talks about the problems of russian culture. can you imagine a performance, any one, in any country in the world, capitalist, so to speak, yes, so that there would be a russian flag, hanging all three acts on..

of the ballet shilkunchik uh , staged by the main ballet master of the bolshoi theater yuri nikolaevich grigoroviche ahead for you, the prince and nothing else, this was one of my fatal mistakes, but why didn’t grigorich forgive him? or that some cat ran by, well, this happens in the theater, someone said, well, friends advised my father not to participate in the nutcracker, someone said that maybe he commented on something, well, that’s why it seems to me that now it’s difficult to say anything, but unfortunately, the creative paths diverged, and so it turned out that my father no longer got into any more performances by yuri nikolaevich, well, there’s something here, as i understand it, it was on... accumulative, this article also had its bad effect and the newspaper was really a little bit, december of the seventy -eighth year, here on the third spread is an article by mareslip’s father, people’s artist of the ussr, he’s kind of like that, in the spirit of soviet publicity, without naming directly names, but very directly hints at the fact that in the current big theater under grigorovich you...